勾栏歌妓与元曲的繁宋成斌.pdfVIP

第 8 卷第 4 期 ( ) Vol. 8 ,No. 4 辽宁工程技术大学学报 社会科学版 2 0 0 6 年 7 月 Journal of Liaoning Technical University ( Social Science Edition) J uly 2006 勾栏歌妓与元曲的繁荣 宋成斌 (辽宁工程技术大学 政法系 ,辽宁 　阜新 　123000) 摘要 :宋元时期 ,随着城市经济的发展 ,市民阶层的壮大 ,出现了瓦舍勾栏 。作为商业性质的演出场所 ,勾栏中汇集了多种 积极因素 ,促成了勾栏伎艺的繁盛 。戏曲作为一门高度综合的艺术 ,是在瓦舍勾栏中融合多种伎艺发展起来的 ,并成为勾 栏伎艺的主体 。当时的戏曲演员大多是歌妓出身的女性 ,她们的悲苦命运 ,成为元曲创作的重要素材 ;她们的高超技艺 ,征 服了观众 ,为元曲艺术的繁荣做出了重大的贡献 。 关键词 :元曲;勾栏 ;歌妓 ;繁荣 ( ) 中图分类号 : I 207. 36 　文献标识码 :A 　文章编号 :1008 - 391X 2006 04 - 0410 - 03 Goulan ,geishas and the prosperity of Yuan qu SON G Cheng - bin (Department of Politics and law ,Liaoning Technical University ,Fuxin 123000 ,China) Abstract : During Song and Yuan Dynast y , Washe and Goulan arose along with economic development in the city and the strengthening of citizenry stratum. It was various positive factors gathered in Goulan that caused the skill prosperit y. The traditional drama was a sort of highly synthetical art ,which was developed blending various skills in Goulan ,and became a main body among the skills in it . At that time ,the performers of tradi tional drama were mostly women , who came from Geisha. Their miserable fate became an important material of Yuanqu , and their excellent feat conquered a great deal of audience. They contributed greatly to the pros perit y of Yuanqu. Key words : Yuanqu ;goulan ;geisha ;prosperit y ( ) 　　作为元代文学的代表 ,元曲 主要指杂剧 是足 发展提供了更有利的环境 。顺应繁华的都市生活和 ( ) 可与唐诗 、宋词鼎立的“一代之文学”王国维 。关 市民们的审美趣味和娱乐方式的需要 ,在城市