【朗西埃】审美无意识.pdf

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【朗西埃】审美无意识.pdf

1 I What Freud Has to Do with Aesthetics My title does not mean that I intend to talk about the application of the Freudian theory of the unconscious to the domain of aesthetics. 1 I will not be speaking about the psychoanalysis of art, nor about the numerous and significant borrow­ ings that historians and philosophers of art have made from particular theses advanced by Freud or Lacan. I have no particular competence regard­ ing psychoanalytic theory. More importantly, however, my interest lies in a different direction. I am not interested in the application of Freudian concepts to the analysis and interpretation of liter­ ary texts or plastic works of art. I will instead ask why the interpretation of these texts and works 1 This text was originally presented in the form of two lectures, delivered at the "School for Psychoanalyses" in Bru els in Janu­ ary 2000 on the invitation of Didier Cromphout. 1 What Freud Has to Do with Aesthetics What Freud Has to Do with Aesthetics occupies such an important, strategic position in goal is not to psychoanalyze Freud and I am not Freud's demonstration of the pertinence of concerned with the way in which the literary and analytic concepts and forms of interpretation. I artistic figures he chose fit into the analytic have in mind here not only the books or articles romance of the Founder. What interests me is the that Freud specifically devoted to writers or artists

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