我的水墨人物组画《东方系列》创作谈.pdf

我的水墨人物组画《东方系列》创作浅谈 中文摘要 我的水墨人物组画《东方系列》创作浅谈 中文摘要 当代的中国水墨画创作在西方艺术思潮的和社会自身文化需求的双 重影响下已呈现出多元化格局。当代中国画家在实践中的创新与突破是 以往任何一个时代可以与之相比。但众多作品使当代中国画品评标准在 概念上产生了模糊与偏差，作为中国画创作大军中的普通一员，通过这 三年在苏州大学攻读刘懋善教授艺术硕士过程中的创作实践和对当今中 国画坛的一些创作现状的反思，本着从个人中国画教学创作和创作研究 的角度出发，试图寻找和尝试一条有别于程式化笔墨表现形式又符合东 方审美观念的单纯而高雅的艺术新途，同时结合自身的创作实践从作品 的格调、立意，画面的形式构成和反复提炼的笔墨语言等方面谈阐述一 下这次研究生毕业创作中的一些感受和想法。 关键词： 格调 形式构成 笔墨 禅境 单纯 作 者：朱斐翡 指导教师：刘懋善 I I figure Group of ink Painting "Oriental Series" Creation of Abstract I figure Group of ink Painting "Oriental Series" Creation of Abstract Traditional Chinese characters for its graphical, symbolic features into an inexhaustible source of modern design, with the progress of the times, designers began to realize that the unique charm of Chinese characters in China began to widely used Chinese characters in modern poster design, These applications will help China's vigorous development of the modern poster design, help to improve the quality of localization of the modern poster design. However, the overall level of poster design has yet to be strengthened, and the works of preeminent small. In this paper, some poster work a detailed analysis to explain how the Chinese character fonts to be used in the modern poster design on. Key words: Poster Design Chinese Localization Written by zhufeifei Supervised by liumaoshan II 我的水墨人物组画《东方系列》创作浅谈