《玉台新咏》艳体诗流变及审美意义.docVIP

论  文  摘  要  《玉台新咏》中收录了自汉至梁 600 年间 800 多首艳体诗，问 世以来，历代研究的重心主要集中在历史意义层面，包括对作者、年代的 考证、品格、内涵的评价等。从文本的角度进行解读和艺术批评尚存在一 定不足之处。本论文主要从文本入手，解读了《玉台新咏》中“艳体诗” 的流变及其审美意义。回归文本，从文学层面解读其价值是本论文的起点。 通过分析徐陵的《玉台新咏》的选录标准和价值取向，指出他所说的“艳 体诗”就是指“与女性有关的性情之作”。在此基础上，通过比较《玉台 新咏》中艳体诗的三期，即汉魏、晋宋、齐梁三时期的表现特征和精神世 界的变化，可以看出不同时期艳体诗创作的明显变迁。接下来，本文通过 意象变化，即内在意象、外在意象；表现方式的变化，即文体结构、语言 与风格、内容与形式、内在体悟与外在观照等多角度的观察，进一步地解 读了艳体诗的流变过程。诗体的流变最终所反映的是不同时代人的意识的 变化，从艳体诗的流变中，反映出的是不同时代条件下女性和男性心态的 变化；同时，艳体诗的变化也意味着不同时代审美方式和审美观照的变化。 最后，本文从诗歌流变的现象中，探讨了导致艳体诗流变的一些因素，包 括社会的、人本的以及认知的因素。  关键词 ： 玉台新咏  艳体诗  流变  心理  审美  2 Abstract Yu Tai Xin Yong which includes more than 800 amorous poetry amid the 600 years since the Han to Liang dynasty. Since being published, the traditional studies focus primarily on the level of historical significance, including the Authors research 、  Probation of times 、 Character and morals and  Connotation.  Interpretation  of  the  text  from  the  perspective  of  art  criticism ,there is surviving in a certain deficiencies. In this paper, starting from textual research, unscrambles the evolvement and aesthetic significance of amorous poetry in Yu Tai Xin Yong. Returning to the text, it is a starting point to interpretate from literary valuably level. By analyzing the selected standards and  values of Xu Ling on Yu Tai Xin Yong. Xu ling’s standpoint is  that  the amorous poetry means poetry related to womens feeling and emotion. On this basis, by comparing the evolvement of characteristics and spirits of amorous poetry of the three stages, namely, the Han and Wei 、the Jin and song、the Qi and Liang dynasty in Yu Tai Xin Yong, we can see clearly difference of amorous poetry. Next, the paper analyzes image changes including internal and external image; and analyzes style of representation including textual structure、language and style、content and form、the 3 internal and external observation , further discusses the processes of evolvement of the amorous poetry. The poem is reflected