长剑和玫瑰启示--重新认识新波版画兼论“十八届版展”带给我们思考.docVIP

中文摘要 当代中国版画的低迷现状具体表现在一些版画家远离绝大多数民众，极端 的自我内心关照，本专业圈内的自我欣赏、技术化倾向、贵族化倾向和对形式 语言的极端化甚至是唯一目的等倾向越来越明显等创作中的弊病，是版画社会 影响力衰减的根源所在。对当前中国版画的低迷现状进行研究后试图通过对老 一辈版画家黄新波先生创作实践的分析，来探讨当前一些版画在创作方法上存 在的带有普遍性的问题。如果用最简要的词语来概括版画艺术家黄新波先生的 作品内涵与创作观念，那就是“长剑与玫瑰”，长剑是正义之剑，是对黑暗势力 的揭露、批判与抗争，是他人格中主持正义进行革命的大无畏的一面；玫瑰则 是温馨与关爱，体现了他对民众生存、对祖国命运的关爱和深沉的人文主义关 怀。黄新波先生是鲁迅先生指导过的第一代新兴版画家，也是中国现代版画史 上的杰出代表人物之一。他的艺术成就和国际声誉，以及他为新兴木刻运动所 作的贡献，奠定了他在中国现代美术史上的地位。他的《怒吼》、 卖血后》、 横 断南海》、《青年人》和《春华常艳》等带有强烈象征主义倾向但又充满现实主 义风格的作品，长期以来一直受到学术界的推崇。黄新波先生从投身新兴版画 运动开始直到生命终结前夕的所有作品都在伸张正义、同情劳苦大众的人文主 义精神支配下，始终站在时代的前沿，始终注重对版画艺术的追求。通过对黄 新波先生这一个案的研究并通过对近期举办的全国第十八届版画展画册的研 读，将黄新波先生的版画精神与当前我国版画的创作观念在联系各自不同的社 会背景下进行对照、比较与思考，找出两者的异同，在进行这一分析比较时特 别强调了不同历史背景下审美诉求防止用旧有标准评议当代创作观念，力争对 当前版画的低迷现状提出一些切合实际的个人见解。 关键词：中国版画；创作观念；低迷现象；黄新波 I Abstract Abstract The current depressing engraving situation in Mainland China incorporates such increasing malpractices as some artists’ isolation from the masses, extreme ego-drived care for themselves, self-appreciation, tendency of extreme technicalization, aristocracy, and formal language, which are the root of the decreasing social influence of the graphic art. In this essay, the author emphasize on the common problems in the current engraving ways through exploring works of Mr.Hang Xinbo, a well-noted former artist. Sword and rose is to generalize the connotation of his works. The sword symbolizes his nature for justice, the revelation of the reactionaries , the criticism of them and the struggle against them. However, rose stands for his warmth and kindness to the grassroots, his care for motherland’s fate and the humanism in his heart. Mr. Huang , an apprentice of Lu Xun, was one of the first rising graphic artists with new thoughts, who had established his reputation in China engraving history by his contributions to newly-developing woodcarving moment in China. Many of his works have been highly praised for clear symbolism and realistic style, such as Roaring, After Selling Blood, Cross breaking South C