pascal morabito (FR-EN-ZH).docVIP

(French is the origin; English and Chinese are the translations.) “The multitude that does not reduce to unity is confusion; the unity that does not depend on the multitude is tyranny.” This thought of Pascal since 1670 could be the guideline of another Pascal, very contemporary one, and through a variety of artistic disciplines (design, jewelry, sculpture, fashion, watch, perfumes), who has always sought a unity in his career, his desires, and his visions. As an archaeologist of the present time formed by the masters Cesar, Arman, and Dali, the touche-a-tout Pascal Morabito still feels, like a Casanova always in activity, “the schoolboy of himself”. With a curiosity and openness without limits, the inexhaustible globe-trotter obsession with real luxury could also be compared to the economist Schumpeter, father of creative destruction. Breaking for reassembling, organizing the chaos, defying the logic to the point of conferring a sacred dimension, such are the obsessions of what, by an alchemist capable of getting lead for gold and gold for a fragrance, blossoms henceforth in Bali. “纷而不和是为惑，和而不纷是为虐。”这一理念由法国数学家兼哲学家帕斯卡在1670年提出，同时也能够成为另一个名叫帕斯卡的当代法国人的行为准则。通过各艺术门类的跨界创意，包括设计、珠宝、雕塑、时尚、腕表和香水，帕斯卡的事业、期望和视野中时刻充斥着对“和”的追求。对于当今的艺术时代，帕斯卡好奇心十足，乐此不疲地向大师们探寻奥妙，塞萨、阿尔曼、达利，他仍然觉得“自己是个学童”，像一个不停冒险的卡萨诺瓦。秉着不受局限的好奇与开放态度，帕斯卡对于真正的奢华具有环球猎奇般的迷恋，深沉而持久，堪比“创造性破坏”理论之父——经济学家约瑟夫·熊彼特（Joseph Schumpeter） Epicenter of a post-Asian world in perpetual motion, Indonesian jewelry is indeed the new home ground of the creator. Since his Shangri-La reconstituted in the Art Villa in Bali, Morabito feeds his mystique with objects retrieved from the depths of the Pacific, off the coast of Java, in the caves of Toraja, in the forests of Borneo…his collection includes more than 30,000 Indonesian pieces that are brought to him as an offering from the four corners of the archipelago consisting of thousands of enchanting islands. Sometimes created with his hand, as his series inspired by the tsunami and its mangroves hum