当代草书创新研究20002001.pdfVIP

中国美术学院—书法系—陈胜凯—当代草书创作研究（2000—2010 ） 第四节 逍遥游—— 大草抒情的最高境界 ····················································87 一、无序狂草与天地大美··························································································87 二、狂草三昧与庄子的逍遥游··················································································88 第五章 狂草论 ······························································································90 第一节 狂草的复兴 ······················································································91 第二节 狂草密码解析································································································92 一、具有抽象特质的狂草··························································································92 二、作为形态学的狂草······························································································95 第三节 炽情——狂草创作的特殊状态 ························································99 第四节 当代艺术语境下的现代狂草创作—— 新草书 ······························· 104 一、传统狂草艺术与当今中国时代精神和书法艺术审美要求有高度的契合性 ··································································································································104 二、当代艺术语境下的现代狂草创作——新草书················································105 三、新草书的构成····································································································108 四、新草书创作的表现形式····················································································109 主要参考文献 ···········································································································112 后记····························································································································115 2 中国美术学院—书法系—陈胜凯—当代草书创作研究（2000—2010 ） 当代草书创作研究（2000—2010） 陈胜凯 【内容摘要】草书是书法艺术的最高书写极致，是最能代表书法艺术高度 的书体。本文通过运用文献资料调查研究法、跨学科研究法、个案研究法、数量 研究法、探索性研究法、经验总结法等一系列的研究方法，对近十年草书创作