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中国古书画的鉴别(The identification of ancient Chinese painting and calligraphy)
中国古书画的鉴别(The identification of ancient Chinese painting and calligraphy)
Identification of China painting, should see the 4 main aspects, the first is painting with words reading painting; the second is to look at the problem the author and others respectively; third see the seal and the seal is the final form of others; see the paper, silk, satin and framed. That is to say, to identify the painting itself, each aspect can not be taken lightly. Among them, the most important thing is the paintings and characters in calligraphy and painting itself.
First, painting and calligraphy itself paintings and words
Painting and calligraphy are the basic artistic units of the authors pen, ink and color on paper, silk and so on. Its basic organization is brushwork, ink, color and structure. Is there a regular writing method, draw out the meal with pen lines and points. Each persons writing technique has its characteristics, different from other people. The same persons brushwork changes from early age to old age. There is a certain link between this change. If Wang Hui is a great painter in early Qing Dynasty, changes in early, middle and late three, 35 years earlier, mainly for imitation of ancient paintings, Cunfa messy, 35 years old ink is more mature, but with an obvious style of Wang Jian. 35 to 60 years old middle skills into North and South hundred long, exquisite craftsmanship, elegant and lively show. After 60 years as the late painting form a certain format, a habit of writing, not middle vivid, vigorous and concise pen pen and ink; fine rigorous, full of change. The general style of the ancient g brush million people, less innovation. As well as the Ming Dynasty painter Wu Wei, early fine line drawing, there is extensive work in ink, although the style is different, but there is always restless in the form of jumping style. The characteristics of authenticity by writing the most reliable, if the other person is difficult to imitate. Deliberately Lin Mu, the inevitabl
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