中国风（Chinese style）.docVIP

中国风（Chinese style） The 1 floor Huang Xiaoliang Chinese wind is defined as: three (ancient poetry, ancient culture, ancient melodies) with unique music China. The lyrics have Chinese cultural connotation, the use of a new breed of singing and song arrangement skills heighten atmosphere, in the song Chinese background nostalgia with the rhythm now, produce subtle, elegant, lively, sad song style etc.. China wind wind and wind near Chinese China pure two, pure China wind is to meet the above six conditions of the song; China wind is nearly certain conditions can not meet and very close to the pure Chinese wind song. China wind makes the scope of songs was expanded as music creators, can not only stay in the emotional foundation of modern people, but efforts to learn history, learning Chinese culture, dig out the quintessence of our country, in the mass media on the song, is a very meaningful direction. In classical Chinese poetry as the main language or style. With this standard, we can rule out certain songs do not belong to the Chinese wind. Such as David Taos the moon represents my heart, the song is very beautiful, rewriting brings unlimited surprises, but due to the use of modern prose color, can be positioned as a first RNB type change songs. There are similar examples of Hongkong Janice M. Vidal sings tonight you will not come (Guangdong), was very successful, but because of its prose style to modern language, should be included in the RNB style. Then, the ancient culture, classical Chinese poetry, which in the past China wind to get good performance? Rear window: see her half side face hair lining of a room full of the Yellow HuoTuo a statue of her in his eyes with expectations obliquely transverse are painted Rouge zhanre Shuangbin aroma A light wind broken: sadness alone stood at the window, I at the door pretending you did not go, such as the old moon revisited candlelight midnight clear more lonely, I can not bear to blame Hair like snow: Langya month I dri