清代扬州贡御漆家具漆装修与漆器研究-湖南博物馆.PDFVIP

清代扬州贡御漆家具、漆装修与漆器研究 Research on the Tributary Lacquer Furniture, Lacquer Decoration and Lacquerware from Yangzhou in the Qing Dynasty 东南大学 长 北 Chang Bei, Southeast University 内容提要：作者据《清档》与其他文献，并据台湾两岸所藏清代扬州贡御漆家具与 漆器、江苏博物院藏清代扬州漆家具与漆器、扬州现代漆家具与漆器工艺等的综合 考察，对清中期扬州贡御漆家具、漆装修与漆器作初步研究，以就教于海内外方家。 关键词： 《清档》 《髹饰录》 贡御 扬州漆家具 扬州漆装修 扬州漆器 Abstract: The author of this paper offers a preliminary study of the tributary lacquer furniture from Yangzhou in the mid-Qing Dynasty, lacquer decoration and lacquerware for criticisms from experts across the Taiwan Strait. The paper is based on the Archives of the Qing Dynasty and other documents as well as the author’s comprehensive survey of tributary lacquer furniture and lacquerware in the collection of museums across the Taiwan Strait, the Qing Dynasty lacquer furniture and lacquerware from Yangzhou in the collection of Jiangsu Museum, and modern lacquer furniture and lacquer techniques from Yangzhou. Key words: Archives of the Qing Dynasty ; Book of Lacquer Coating and Decoration ; tribute to the court; lacquer furniture from Yangzhou; lacquer decoration in Yangzhou; lacquerware from Yangzhou 明中叶至清初是中国家具的黄金时 不如南。维扬之木器，姑苏之竹器，可谓 代，以苏州红木家具为代表，形成了独具 甲于古今，冠乎天下矣。”[1] 江南特色的风格样式。入清以后，中国家 乾隆年间，宫廷用漆艺家具常交两淮 具形成了京式、苏式与广式等流派，苏州 盐政在扬州承办。两淮盐政官员李质颖、 工匠擅制硬木家具，扬州工匠擅用各种漆 吉庆、普福等人的贡单中，以宝床、宝 器雕饰工艺制为家具。清初李渔评：“器 座、御案和天香几、炕几、文榻、绣墩、 之坐者有三，曰椅，曰杌，曰凳。三者之 琴桌、屏风等各式髹漆家具为大宗，明显 制，以时论之，今胜于古；以地论之，北 区别于苏州织造贡单以小件漆器为大宗 · · 507 2014年 ·第十一辑