《六十种曲》婚俗描写分析中国古代文学专业论文.docxVIP

60 种 60 种曲婚俗描写 目录 目 录 第一章 《六十种曲》中的婚俗事象 ······················································· 1 一、媒妁 ········································································································ 1 二、婚仪及婚缘观念 ························································································· 12 三、入赘婚及其它 ···························································································· 20 第二章 《六十种曲》婚俗描写的艺术价值············································ 28 一、婚俗描写与情节结构及冲突··········································································· 28 二、婚俗描写与人物塑造···················································································· 35 第三章 《六十种曲》婚俗描写的文学史观照········································ 41 一、《六十种曲》婚俗描写与元杂剧 ······································································ 41 二、《六十种曲》婚俗描写与明清小说 ··································································· 45 三、《六十种曲》婚俗描写与诗文传统 ··································································· 49 结语············································································································ 52 参考文献 ···································································································· 53 攻读硕士学位期间出版或发表的论著、论文·········································· 55 致 谢 ········································································································ 56 60 种 60 种曲婚俗描写 引言 引 言 毛晋，名凤苞，字子晋，明末清初时期江苏常熟人。他所编刻的《六十种 曲》是我国古代篇幅大、流传广的一部传奇作品合集。傅惜华在《明代传奇总 目》中曾说:“《六十种曲》为现存明代汇刻传奇最丰富而重要之总集，且传布 极广。”到目前为止，学界对《六十种曲》的研究本不多，且偏重于文献价值的 研究。如郑振铎在编《古本戏曲丛刊》时曾将“丛刊”的编辑和《六十种曲》 编刻进行比较，指出《六十种曲》中《精忠记》、《八义记》、《三元记》、《春芜 记》、《怀香记》、《彩毫记》、《运镜记》、《莺媲记》、《四喜记》、《投梭记》、《赠 书记》、《双烈记》、《龙膏记》、《双珠记》、《四贤记》和硕园改订本《牡丹亭记》 等十六种曲在汇刻前未见版本流传，如无毛氏编刻，难免会有亡轶之可能；由 是可见毛氏《六十种曲》在戏剧文献史上的地位。 《六十种曲》收录的传奇作品，丰富地反映了元明时期的社会生活、风情 习俗及民间信仰，是我们研究那个时期风俗史的好材料。本文选择其中的婚俗 描写作为考察对象，由婚姻事象这一视角，观察元明时期的婚俗观念变化，作 家婚俗描写的艺术价值以及这种描写的文学史意义。 60 60 种曲婚俗描写研究 第一章婚俗事象 PAGE PAGE 10 第一章 《六十种曲》中的婚俗事象 一、媒妁 做媒分两种，一种是为亲友、邻侣、同僚做媒