电影色彩构成艺术意识研究-电影学专业论文.docxVIP

重庆大学硕士学位论文中文摘要 重庆大学硕士学位论文 中文摘要 I I 摘 要 随着技术条件的进步，电影色彩这一与文学色彩、绘画色彩有着亲缘性的艺 术元素，以其艺术的、社会的属性发展并作为电影视觉语言的重要元素之一。电 影人以色彩的电影化思维，将电影色彩与形体、光影、构图、景别、角度、运动、 声音相互作用于人物情绪、情感以及主题，在激发电影影像的审美体验的同时， 又使人物散发出个性魅力，深化了主旨。 电影色彩作为视觉语言，尤其是造型语言重要的组成部分而存在，它再现客 观现实、表情达意、传递象征意蕴，参与叙事进程并深化主题。电影色彩思维以 一种艺术创作与审美格调建构着其在电影中的价值意义，这更是触及了电影色彩 思维的终极目的，即塑造个性鲜明、栩栩如生的人物形象。这与电影人的色彩思 维息息相关，其电影色彩的处理是以电影色彩艺术意识进行电影创作的。包括导 演、摄影、美工在内的电影人更深谙电影色彩语言对情绪暗示、主题表达的作用， 即电影色彩对受众视觉心理的影响力，对观影体验和情绪感受的渗透力，因此， 电影人的色彩思维绝不允许像语言那般表达直接，而是以色彩艺术意识潜移默化 地通过视知觉传达给观众。从根本上来讲，电影色彩艺术意识与传统的、现代的、 西方的电影色彩观念更新密不可分。换句话说，电影色彩以艺术属性、基本特性 以及文化观念，丰富着电影人的色彩思维，以电影人的色彩艺术意识激发电影的 审美体验。 关键词： 电影色彩，艺术意识，色彩造型，视听语言，审美体验 重庆大学硕士学位论文英文摘要 重庆大学硕士学位论文 英文摘要 II II ABSTRACT As technical conditions advances, movie colour is related to literary colour and painting color, the artistic elements with its artistic, social attribute keep developing as an important elements of movie visual language.Filmmakers use thinking of image,when movie colour interacts with body, light, composition, field of view, angle, movement, sound,playing a role in the characters emotions, feelings and theme.They would stimulate aesthetic experience of movie images and make character send out personal charm,importantly, deepen the purpose. Film color as visual language, especially the important component of the modelling language, it reappears the objective reality, expresses feelings, transfer symbol meaning, participate in narrative process and deepen the theme. Colorific mind construct its value significance in the movie by artistic creation and aesthetic style this is the ultimate purpose of color thinking. It is meaning that the ultimate purpose of colorific mind would be researched. Namely, shaping characters with personality and lifelike.It is closely related with colorific mind of filmmakers. Filmmakers who handle it for a creative work will base on art consciousness by Movie colour.Including director, photography, artists division, filmmakers are more capable and understand movie colour lan