从“陌生化”理论视阈看第五代电影色彩语言-戏剧与影视学专业论文.docxVIP

色彩语言是电影艺术中不可或缺的重要元素，也是电影人有意识对影像造型 进行审美构建的一种特有的表现手段，它不仅在电影创作中表现其讲故事的叙事 功能，而且具有多元影像形态的象征寓意。20 世纪 80 年代，第五代电影人在对 历史与自身的双重反思中凭借个体精神的觉醒，以自由张扬的生命个性不断为中 国电影注入新的元素，特别是以不再中规中矩的超越意识向世界呈现出中国新时 期电影的历史性变革，在揭示历史的沉重、国民的忧思、民族文化心理结构的自 我表达中，充分彰显出新时期电影强盛的生命质感。本文针对中国第五代电影人 这一文化现象，就其电影色彩语言，从“陌生化”的理论视界中探究其美学价值 和意义，以期受众的审美期待能够从即将消亡的影像视觉中再度重现，带给受众 更为丰厚的精神享受和审美快感。 关键词：陌生化；第五代电影；色彩语言；文化感知；影像造型 Abstract The Colour’s language is an indispensable element in the film art. Is also to be a filmmaker consciously to aesthetic image modelling to build a kind of special performance means, It not only in the films to show its storytelling narrative function, and has the image of multiple forms of symbolic meaning. In the 1980 s, the fifth generation of filmmakers in double reflection on the history and itself with the awakening of individual spirit, With free life personality constantly inject new elements for China film, especially in the present to the world beyond consciousness of the quadrature in the compasses in no longer Chinese films in the new period of historical change, In history, national heavy sorrow, self expression of the national cultural psychological structure, strong life fully reveal new period film texture. Based on Chinas fifth generation of filmmakers this cultural phenomenon, its film color language, from the vision of Defamiliarization theory to explore its aesthetic value and significance, in the hope of the audiences aesthetic expectation can come again from the dying image visual, bring the audience a more generous spirit to enjoy and aesthetic pleasure. Key words: Defamiliarization; colour language ; Cultural awareness; Image modelling HYPERLINK \l _bookmark0 摘 要 ............................................................ I HYPERLINK \l _bookmark1 Abstract ......................................................... II HYPERLINK \l _bookmark2 目 录 .......................................................... III HYPERLINK \l _bookmark3 1.绪 论 ................................