从话轮转换角度看《金太郎的幸福生活》的人物塑造-戏剧与影视学专业论文.docxVIP

《金太郎的幸福生活》一剧成功塑造出了新好国民老公、任性娇气的妻子、 霸道的岳母、和固执的公公等人物形象，这些人物都具有独特的性格特点，人物 形象鲜明，令人印象深刻，本文就立足于话轮转换的视角，通过对话轮转换理论 的全面了解，对《金太郎的幸福生活》的语料进行归类、整理，运用话轮转换的 理论框架来分析人物之间的对话，透过每一个话轮来了解人物形象的塑造。 人物的形象一般都是通过人物语言、动作、神态、或是故事情节来进行塑造， 通过话轮转换相互映衬的方式来塑造人物形象的还较少，本文便以话轮转换为切 入点，旨在将话轮转换的理论和人物形象的塑造结合起来，文章共分五个章节， 第二章节详细介绍了话轮转换的相关理论知识，第三章节运用话轮转换来分析剧 中人物的性格特点、语言特点和思想观念，第四章节列举了剧中的 3 位主要人物， 来具体分析话轮转换是如何体现出这 3 位人物的性格特点，第五章节主要讲了促 进这些话轮转换的一些语用因素，包括合作原则、礼貌原则和模糊语，通过对以 上的研究，论述在电视剧《金太郎的幸福生活》中人物形象是如何通过换轮转换 体现出来的。 关键词：人物形象；话轮转换 ；语言；性格；思想 The TV play Jin Tailang’s Happy Life successfully shapes a new and good national husband, a capricious and effeminate wife, overbearing mother-in-law, stubborn father-in-law and other characters. Each of these characters has a unique personality and distinctive character images, which are very impressive. From the perspective of turn-taking, and through the overall understanding of the turn-taking theory, this paper classifies and sorts out the corpus of Jin Tailang’s Happy Life, analyzes the dialogues between the characters by theoretical frameworks of turn-taking, and understands the shaping of the characters through every conversational turn. Generally, the shaping of characters is by virtue of their language, actions, expressions or plot, and there are few characters shaping through turn-taking by setting off each other. This paper takes turn-taking as a breakthrough point and is aimed at making a combination of the turn-taking theory and character image shaping. This paper consists of five chapters, of which the second chapter makes a specific introduction of relevant theories of turn-taking.The third chapter applies the turn-taking to analyzing the personality characteristics, language features and ideology of the characters. The fourth chapter lists the three main characters in the play, to specifically analyze how the turn-taking reflects the three characters’ personality characteristics. The fifth chapter mainly discusses some pragmatic factors which can pr