方东美美学思想探析-美学专业论文.docxVIP

摘要 方东美是 20 世纪著名的哲学家、美学家，对其美学思想之研究虽已初具规 模，但在“普遍生命”本体论是物质存在还是精神价值，是哲学思想还是宗教神 学，是对古典哲学的一脉相承还是对柏拉图哲学、基督教神学的改造等问题上仍 存在不少争议，在对方东美艺术思想进行探讨时，也多注重方东美对于艺术共时 层面的阐释，而忽略其对于艺术发展流变的梳理。本文采取文献描述及比较研究 相结合的方法，首先以方东美美学思想中最为关键，同时也是争议最多的“普遍 生命”本体论作为切入点，以“即价值即存在”作为“普遍生命”的根本特性， 强调“普遍生命”本体论与中国哲学本体论的一脉相连，是纯正的哲学理论而非 神学玄想。第二章以方东美美学中的艺术思想作为重心，不仅指出方东美以“普 遍生命”作为艺术之根源，以美化世间及提升人性作为功用。第三章则以“普遍 生命”“即价值即存在”作为主线，为散见于不同著作的方东美对中、希、欧艺 术精神流变之疏解作了一番整理。 关键词：方东美；美学；“普遍生命”；艺术 I Abstract Fang Dongmei is a philosopher and esthetician with outstanding accomplishments in 20th century. Research on his aesthetic thought has begun to take shape. But there are still debate on such questions: whether ‘general life’ is substance or spirit? Fand Dongmei’s ontology origins from china classical philosophy or Platonism and Christian Theology? What’s more, A lot of research has pay more attention to Fang Dongmei’s synchronic view point of art but ignore his interpretation of art history. With the method of combining literature description and comparison research, this article takes “general life” as contact point, believes that ‘general life’, which is the combination of existence and value, is the inheritance of Chines Philosophy, rather than Western Philosophy or theology. The Second chapter discusses air theory in Fang Dongmei’s aesthetic. Fang Dongmei concludes that art originates from general life and play an important role in world beautification and humanity improvement. The third chapter organizes Fang Dongmei’s comment about the Hellenistic art, Modern European art and Chinese artreveals which appears in his different works. Key words: Fang Dongmei; aesthetic; “general life”; art II 目录 摘要......................................................................................................................................................I Abstract...............................................................................................................................................II 目录.........................