二胡曲《迷糊调》的创作风格与演奏技法探究-二胡演奏专业论文.docxVIP

摘 要 优秀的作品不管经过多长的时间，依旧能够得到人民的喜爱与认同。不同的 民族、不同的地理环境和不同的风土人情，造就了风格性各异的地域文化，音乐 作为文化中的一部分，当然会受其影响。中国地域广阔民族众多，56 个民族都 拥有自己独具特色的民族文化与音乐。所以要了解秦派二胡，首先要了解它是在 怎样的区域文化下形成的。秦派二胡是在陕西各类戏曲音乐和民间音乐的基础上 发展起来的，特别是秦地戏曲音乐的融入，使得秦派二胡展现出其独特的陕西音 乐风格魅力。任何一门表演艺术的兴起与发展,总是以创作为根本，而秦派二胡 的繁荣与发展,就是以大量陕西音乐风格的作品创作为凭依的。陕西音乐风格中 的二胡演奏风格技法，借鉴了民间戏曲中板胡的一些演奏技法,并在传统二胡技 巧的基础上进行了大胆的创新。本文以二胡曲《迷糊调》为中心，分析其创作背 景、旋律节奏特点、风格性演奏技法、调性特点以及《迷糊调》的艺术价值，旨 在达到对《迷糊调》进行的深入了解，从而可以更好地理解和演奏这首作品。 关键词:秦派二胡、陕西地域风格、《迷糊调》、风格演奏技法的运用 Best work no matter how long after, still can get peoples love and recognition. Different nationalities, different geographic environment and different local conditions and customs, make the style of different regional culture, music as a part of culture, of course, will be influenced by it. Chinas vast many nationalities, 56 ethnic groups have their own national culture and music. So to understand qin sent erhu, first have to know how it was in formed under the regional culture. Qin sent erhu in shaanxi opera music and folk music is developed on the basis of, especially qin opera music into, make qin sent erhu show its unique style of shaanxi music charm. Any door the emergence and development of the performing arts, is always to creation as a fundamental, and qin sent the flourishing and development of the erhu, is of a large number of shaanxi music style work as possessing it. Shaanxi style technique in erhu music style, draw lessons from the folk drama in pan-hu some playing techniques, and on the basis of traditional erhu technique has carried on the bold innovation. Based on erhu music confused tune as the center, to analyze its background, the melody rhythm characteristics, styles of playing techniques, tonal characteristic and the artistic value of the journal confused tuning, designed to achieve to the deep understanding of the confused adjustable, in order to better understand and play this piece of work Keywords: qin sent erhu, shaanxi regional style, confused, the use of the style of playing tech