（外文电子版资料）Smith, Clark Ashton - The Necromantic Tale.doc

The Necromantic Tale Clark Ashton Smith IN ONE sense, it is a mere truism to speak of the evocative power of words. The olden efficacy of subtly woven spells, of magic formulas and incantations, has long become a literary metaphor; though the terrible reality which once underlay and may still underlie such concepts has been forgotten. However, the necromancy of language is more than a metaphor to Sir Roderick Hagdon: the scars of fire on his ankles are things which no one could possibly regard as having their origin in a figure of speech. Sir Roderick Hagdon came to his title and his estate with no definite expectation of inheriting them, nor any first-hand knowledge of the sort of life and surroundings entailed by his inheritance. He had been born in Australia; and though he had known that his father was the younger brother of Sir John Hagdon, he had formed only the vaguest idea of the ancestral manor; and the interest that he felt therein was even vaguer. His surprize was little short of consternation when the deaths of his father, of Sir John Hagdon and Sir Johns only son, all occurring within less than a year, left clear his own succession and brought a letter from the family lawyers informing him of this fact--which otherwise might have escaped his attention. His mother, too, was dead; and he was unmarried; so, leaving the Australian sheep-range in charge of a competent overseer, he had sailed immediately for England to assume his hereditary privileges. It was a strange experience for him; and, strangest of all, in view of the fact that he had never before visited England, was the inexplicable feeling of familiarity aroused by his first sight of the Hagdon manor. He seemed to know the farm-lands, the cottages of the tenants, the wood of ancient oaks with their burdens of Druidic mistletoe, and the old manor-house half hidden among gigantic yews, as if he had seen them all in some period that was past recollection. Being of an analytic trend, he attributed all