中国现代美术名家名作介绍教材编辑.pptVIP

林风眠《秋艳》 林风眠的作品具有很强的表现主义色彩，从中透出特有的一种孤寂、空漠的情调，一种平和而含蓄的美。 林风眠《夜枭》 张大千(1899～1983) 是具有世界影响的中国画大师。四川内江人 。从名师曾农髯，李梅阉学诗文、书法和绘画。 张大千的杰出成就是泼彩山水，那是他在65岁以后的事业。　张大千的画风，先后曾经数度改变，晚年时历经探索，在57岁时自创泼彩画法，是在继承唐代王洽的泼墨画法的基础上，揉入西欧绘画的色光关系，而发展出来的一种山水画笔墨技法。可贵之处，是技法的变化始终能保持中国画的传统特色，创造出一种半抽象墨彩交辉的意境。徐悲鸿称张大千是“五百年来第一人”. 张大千以善画荷花著称，素有“古今画荷的登峰造极”之誉。 张大千早年即画荷花，画法多以明代画家徐渭画法为多，中年时是半工半写者多，到了晚年最擅长的泼彩半抽象手法来画荷花。 张大千《泼彩荷花》 张大千《山高水长》 傅抱石（1904—1965）江西省新余县人。 Fu Baoshi (see Figure 4-33) (1904 – 1965) was born in Xinyu, Jiangxi. 傅抱石是中国画坛一代宗师，他创造的“抱石皴”对中国画发展影响极大，他为人民大会堂创作的《江山如此多娇》是中国美术史上的一座丰碑。 He was the master of great learning and integrity of Chinese painting history. “Baoshichun” created by him had great influence on the development of Chinese painting. Beautiful Rivers and Mountains created by him for the Great Hall of the People is a monumental work in Chinese artistic history. 上世纪六十年代是傅抱石先生艺术的巅峰时期，而《毛主席诗意山水册八开》是其生前最后的作品。 傅抱石先生艺术的巅峰时期，而《毛主席诗意山水册八开》是其生前最后的作品。擅画山水、人物。崇尚创新，建树良多，他用“野、径、乱、黑”创造出用笔有直有根、有折有圆、粗细、轻重、虚实变化万干的山石鼓法——抱石鼓。傅抱石人物画自成一格。用笔洗炼，着重气韵，达到潇洒入神的效果。他的画法章法结构不落俗套，别出心裁，线条纵逸挺秀，设色沉浑质丽。傅抱石长期体察自然,注意意境与章法，作画善于将水、墨、彩融为一体而取得生气盎然之效果. Fu Baoshi was good at painting water, mountains and figures. He advocated blazing new trails and gained great achievement. He created a changeable rousing of mountains and stones which was called “Baoshigu” by using “wild, straight, messy and black”. He had a style of his own in his figure paintings. He mixed water, ink and color together with his paintings and made the paintings vivid and lifelike. 傅抱石运用古诗有二种不同方式： 一、是以己意去凑古人的诗。 二、是根据古人的诗立意，或从中汲取灵感，抓住其精神实质进行艺术再创造，无须题诗而诗意盎然。 傅抱石《丽人行》 此幅创作于1944~的《丽人行》，是傅抱石人物画中少有的宏幅长卷之一，亦是其代表力作。其题材取自唐代诗人杜甫的名诗《丽人行》，至于创作的直接动机则要追溯到1943年。 Spring Outing of Highest-ranking imperial Concubine created in 1944 by Fu Baoshi is a long figure painting and of his representative works. It was taken from the famous poem Spring Outing of Highest-ranking imperial Concubine of Tang Dynasty poet Dupu.