試論俗曲(時調)與行當表演對文本流變.pdf

試論俗曲(時調)與行當表演對文本流變.pdf

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79 試論俗曲(時調)與行當表演對文本流變 的影響—以晚清新編戲《煙鬼嘆》為例 游富凱* 1845 1845 關鍵詞:勸戒鴉片、《煙鬼嘆》、俗曲(時調)、行當表演 79-104 TAIPEI THEATRE JOURNAL 25 (2017): 79-104 School of Theatre Arts, Taipei National University of the Arts 2016.6.7 2016.12.30 *北京大學中國語言文學系博士候選人 80 戲劇學刊 The Influence of the Popular Tunes and Roles Performance to the Script Form —A Case Study of the New Play Yan Gui Tan in Late Qing Dynasty * Fu-kai Yu Abstract In 1845 the famous actor Xue yin xuan created a new plays Yan Gui Tan in Beijing. It is the first play about the subject of quitting opium in history of Chi- nese opera of the Qing Dynasty. Yan Gui Tan was famous for its new in late Qing Dynasty. Until now, people are still uncertain of the scripts and the form of performance. After doing a comprehensive research on Yan Gui Tan and found out there were three different versions of plot. I believe the development of the play was affected by two factors. One is Popular Tunes which is based on the new features as Yan Gui Tan ; The other is the leading role of Yan Gu

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