梅洛-庞蒂视域概念的美学内涵.pdfVIP

华东师范大学硕士学位论文 内容摘要 梅洛-庞蒂理论中的“视域”概念对理解审美经验具有重要意义，视域是审美 经验得以形成的必要条件。论文主要从身体感知、艺术作品的意义表达以及美学 本体论三个层面探索了梅洛-庞蒂视域理论的美学内涵。 首先,身体是视域形成的基础，视域是以身体为基础形成的使感知得以可能 的空间形式,审美感知也只有在依托身体所形成的视域中才能发生。其次,艺术作 品的深度意味着视域的存在，艺术作品的意义深度不是现成的，而是在那不可见 的一切聚集起来去支撑可见之物的过程中发生的。深度作为艺术作品的意义表 达，主要体现在它时间和空间维度上。最后,视域理论展示了身体经验与艺术作 品、人与世界的原初统一。除了审美经验，人的一切存在经验其实也是都是主体 与对象事物彼此交织的视域的展现。 关键词：视域 ；⾁⾝；可逆性 ；深度 ；可见-不可见 I 华东师范大学硕士学位论文 ABSTRACT Horizon is a necessary condition for forming aesthetic experience. On the one hand, body perception is the basis for the formation of horizon, and horizon can only be established by relying on the body. On the other hand, works of art can express meaning only through horizon, and horizon is also the field of self-expression of works of art. The body、horizon and the art world are intertwined together. The aesthetic connotation of horizon is mainly manifested in three aspects: body perception, meaning expression of art works, and ontology. First of all, the body is the basis for the formation of horizon. Horizon is a spatial form formed on the basis of the body that makes perception possible. Aesthetic perception can only occur in the horizon formed by the body. Secondly, the depth of a work of art means the existence of a field of vision. The depth of meaning of a artwork is not ready-made, but occurs in the process of gathering everything that is invisible to support the visible. Depth as the meaning expression of art works is mainly reflected in its time and space dimensions. Finally, the horizon theory shows the original unification of physical experience with works of art, people