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托福阅读真题 3
PASSAGE 3
The Native Americans of northern California were highly skilled at basketry, using the
reeds,grasses, barks, and roots they found around them to fashion articles of all sorts and sizes-
not only trays, containers, and cooking pots, but hats, boats, fish traps, baby carriers, and
ceremonialobjects.
Of all these experts,
none excelled the
Pomo—
a group who lived
on or near
the
coast
during the 1800's,
and whose descendants continue
to live
in parts of the same region
to this
day. They made baskets three feet in diameter and others no bigger than a thimble. The Pomo
people were masters of decoration.
Someof
their
baskets were completely
covered with
shell
pendants;
others with feathers
that
made the baskets'
surfaces
as soft
as the breasts
of birds.
Moreover,
the Pomopeople madeuse of more weaving techniques
than did their
neighbors.
Most groups made all their basketwork
by twining
— the twisting of a flexible
horizontal material,
called
a weft,
around stiffer
vertical strands
of
material,
the
warp. Others depended
primarily on
coiling
— a process in which a continuous
coil
of
stiff
material
is held
in
the desired
shape with
tight
wrapping
of flexible strands.
Only the Pomopeople used both processes
with equal
ease
and frequency. In addition, they made use of four distinct variations on the basic twining process,
often employing more than one of them in a single article.
Although a wide variety of materials was available, the Pomo people used only a few. The
warp was always madeof willow, and the most commonly used weft was sedge root, a woody
fiber that could easily be separated into strands no thicker than a thread. For color, the Pomo
people used the bark of redbud for their twined work and dyed bullrush root for black in
coiled work. Though other materials were sometimes used, these four were the staples
in their
finest basketry.
If the basketry materials used by the Pomopeople were limited, the designs were
amazin
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