奈保尔游记《印度三部曲》的研究.pdfVIP

1 2 3 摘要 维迪亚·苏莱普拉萨德·奈保尔（Vidiadhar Surajprasad Naipaul ）是当代文 坛一位优秀的后殖民作家。他创作了大量脍炙人口的文学作品，在2001 年荣获 了诺贝尔文学奖。在奈保尔的文学作品中“印度三部曲”是其著名的游记系列经 典，作为研究奈保尔跨文化、跨种族、跨国界旅游纪行的素材，“印度三部曲” 真实地记录了作家的所见所感，客观地反映了奈保尔的思想历程和文学造诣。 围绕印度三部曲中对印度社会问题及文化价值观的讨论，我们试图探寻奈保 尔的作品中的对失落文明的同情、对文化陷落的困惑以及对普世文明追寻的人文 思想。“印度三部曲”多种叙事手段的创作风格和多重元素相互融汇使得其在叙 事方式上独具艺术魅力。在作品的价值意义上，“印度三部曲”记录了奈保尔三 次回访印度的寻根之旅，是多元文化影响的产物，也是一座沟通东西方文化的桥 梁，“印度三部曲”为多种文化的和谐共存，追求人类的共同文明释放其重要的 文学价值。 关键词：奈保尔，游记，印度三部曲，东方学，叙事模式 I 4 Abstract Vidiadhar Surajprasad Naipaul is an excellent postcolonial yarn smith at the present age. He wrote a lot of very world -wide literatures and he was awarded The Nobel Prize in Literature in 2001.The “trilogy of India” is the most famous literatures of his classical Journals, as a Journal material for research of the travel notes which crossed culture ,races and nations, The trilogy of India record faithfulness what is heard and seen and Objectively reflect the ideology and literary attainment from the writer. Enclose the discuss about the society problem and cultural values in The trilogy of India. We try to quest the sympathy for the civilization lost, the bewildered for the culture failed and the humanitarian ideology for the universal civilization, in the writer’s literature. In the literature the writer use multi-way of recounting and the Culture ideology of “trilogy of India”, made it switched