论文 中国画中钟馗的形象.docVIP

 摘 要 钟馗的形象多以门神、绘画等作为素材来表现，发展至今形式更是多样。也以此被人们所熟悉。而对于钟馗本身虽为家喻户晓，但终究扑朔迷离，至今有着多样的版本。就我本身而言，熟知的第一个版本就是唐元天年的殿试之说。之后又有药材一说，等等。然而无论哪个版本它的背后都无不传达着古人对神灵的信仰和崇拜。把神灵作为心灵的依托，精神的慰藉。以求神灵保护国泰民安、风调雨顺、五谷丰登。对于精神依托的神灵形象更是以奇人奇貌，以怪制怪的思想为主流思想来描绘心中的神。 钟馗的形象就以夸张的面部，凶恶的神请，以及他的利剑，人们还以各种被钟馗制服的小鬼为辅助来表现他的粗犷。钟馗形象本身粗悍的张力很有表现力量，可以把人们引向更深的思考和感悟。现代思想与时俱进，审美变了，但对于精神内涵是不可变的。我们不仅要传承中华文化的精髓，更应跟上时代的步伐，创新新时代的钟馗。发扬新时期的中华文化。 关键词：钟馗 形象 中国画 Abstract The image of Zhong Kui as goalkeeper, painting as the material to the performance, development so far form is diverse. Be familiar to. For Chung Kuei itself is to make known to every family, but eventually whirling, now has a variety of versions. In my own case, the first version of well-known is Tang Yuan Tiannianyin the palace said. Then there are medicines that, etc.. However, no matter which version behind it all communication with the ancient faith and worship of the gods. The gods as spiritual support, the spirit of comfort. To the gods to protect people, good weather, a bumper grain harvest. For the spirit of relying on the image of God is the legends appearance, to blame for the strange idea for the mainstream thinking to describe the heart of god. The image of Zhong Kui with exaggerated facial, ferocious God please, and his sword, people also used to be Zhong Kui uniforms as auxiliary to the performance of his rough. Chung Kuei image itself rough tension very expressive force, can put people into deeper thinking and feeling. Modern ideology, aesthetic changes, but is not variable for the spiritual connotation. We should not only inherit the quintessence of Chinese culture, should keep pace with the times, innovation in the new era of zhong. Development of new period of the Chinese culture. Keywords: Chinese painting Zhongkui images 目 录 摘 要 I Abstract II 前 言 1 一、中国画中钟馗形象的起源 1 （一）钟馗的传说 1 （二）钟馗形象的形成 1 （三）画中钟馗 1 二、中国画中钟馗形象的艺术特点 2 （一）梦回大唐—吴道子 2 （二）五代时期—石恪 2 （三）南北宋朝—李公麟 3 （四）明清时期--陈老莲、戴进、仇英 4 （五）近代大家--徐悲鸿、任伯年 （六）当代大家--王宽喜、刘国辉、 三、历代钟馗画题 5 （一）钟馗捉鬼........