以“唱”论“吹”----歌唱性在唢呐演奏中的重要作用.pdfVIP

天津音乐学院 硕士学位论文 以“唱”论“吹”——歌唱性在唢呐演奏中的重要作用 姓名：裴婷 申请学位级别：硕士 专业：音乐学 指导教师：范国忠 中文摘要 本文从歌唱性的角度分析唢呐音乐及其演奏特点,同时对唢呐演奏要求“歌 唱性”这一众所周知的问题进行深入分析,从多层次和角度来阐述“歌唱性”在 唢呐演奏中的重要作用,使演奏者对唢呐演奏不但要知其然,更要知其所以然。 在演奏中更好地体会歌唱性审美体验,将唢呐演奏中的歌唱性感受上升到理论 高度予以诠释。用”唱”与”吹”作比较分析,生动鲜明地分析“歌唱性”与唢 呐演奏的密切关系, 将“歌唱性”这一理念完美地运用于“吹奏”,实现从”唱” 到”吹”,再到”唱”这一艺术处理的回归,使演奏者更加深刻地体会音乐内涵, 对唢呐演奏具有一定的理论指导作用。唢呐具有其自身的音乐特性,具有很强的 音乐表现力，怎样最大限度的发挥它的个性,同时又能最优越地实现其艺术特征 是作为一名唢呐演奏者所不断追求的,唢呐这一乐器自身特点与其所要求的歌 唱性演奏相融合,怎样做到真正演奏意义上的“如歌”,这种音乐表现力的实现 则需要我们在不断的演奏实践中总结发现。 关键词：歌唱性 唢呐音乐演奏特点 唢呐吹奏特性 3 Abstract In this paper we analyse the music of Suona and the feature of it from the angle of feasibility of singing. Meanwhile we analyse the issue deeply that Suonas performance demands the feasibility of singing which is widely known. The paper also expound the very important function of feasibility of singing in the performance of Souna, which makes the player know it and even know why it is so. During the performance the players will experience the feasibility of singing better and explain these experience at the theoretical level. This paper contrast the singing and the blowing,and analyse the affinity between feasibility of singing and performance of Suona brightly. And use the feasibility of singing into the performance perfectly .Then make the process ,which is fromsinging to blowing then back to singingagain,to be possible. We want to make the player experience the connotation of music very deeply,and provide the direction of the performance. Souna has its own characteristics. How to extend its char