论唐代仕女画的形态美.pdfVIP

中国美术学院 学位论文原创性声明 本人郑重声明：所提交的学位论文是本人在导师的指导下，独立进行研究工作所取得 的研究成果。除文中已经加以标注引用的内容外，本论文不包含其他个人或集体己经发表或 撰写过的研究成果，也不含为获得中国美术学院或其它教育机构的学位证书而使用过的材 料。对本文的研究作出重要贡献的个人和集体，均己在文中以明确方式标明。本人承担本声 明的法律责任 僦名：历襻％隗?擗歹月／，7日 学位论文版权使用授权书 本学位论文作者完全了解学校有关保留、使用学位论文的规定，同意学校保留并向国家 有关部门或机构送交论文的复印件和电子版，允许论文被查阅和借阅。本人授权中国美术学 院可以将本学位论文的全部或部分内容编入有关数据库进行检索，可以采用影印、缩印或扫 描等复制手段保存和汇编本学位论文。 本学位论文属于 1、保密口，在 年解密后适用本授权书。 2、不保密口。 (请在以上相应方框内打“4”) …名：弗鳋隗珊歹月／7日 导师签名： 景易笠。 日期：删诈今月 f7日 目录 中文摘要······················································1 英文摘要······················································2 引言··························································3 第一章仕女图形态的概念 1．1仕女图的定义···········································4 1．2形与态·················································4 1．2．1形············································4 1．2．2态·············································5 第二章唐之前仕女画的发展 ············································ 6 第三章唐代仕女画独特的魅力 3．1唐代仕女图的形态特点···································8 3．2唐代女性···············································8 3．3形象刻画与细节描写·····································9 3．4人物动态处理与组合动态关系····························1l 3．5衣饰与形体············································12 3．6置陈布势··············································13 第四章形态的不同与风格的差异 4．1墓葬仕女画的特殊气质··································15 4．2仕女画作者的风格特征··································15 结语·························································17 参考文献········-············································18 中国美术学院——中国画系——王馨野——论唐代仕女画的形态美 内容摘要 唐代是人物画发展的黄金时代，其中仕女画在中国古代绘画发展史中占有 重要地位。仕女画中的女性形象具有曲眉丰颊的特点，体态上则丰腴