《題橋記》與《私奔相如》之比較－明初雜劇的相如文君故事-National.PDFVIP

高雄師大學報 2015, 38, 1-21 《題橋記》與《私奔相如》之比較 －明初雜劇的相如文君故事 陳貞吟 1 摘 要 司馬相如(約西元前 179～前 118)與卓文君的愛情故事，自漢以來，便為人傳誦 不已，唐詩、宋詞、小說、戲曲中都有他們的故事。現存最早的相如文君戲曲，當是 明初雜劇的無名氏《司馬相如題橋記》與朱權《卓文君私奔相如》兩本，同樣是明初 雜劇，但二劇卻有完全不同的劇作特色。 《司馬相如題橋記》為宮廷藝人之作，排場熱鬧、人物眾多且內容具有濃厚的歌 功頌德意味；《卓文君私奔相如》劇情相對清順，剪裁嚴謹，也反映了朱權身為藩王 的思想與編劇技巧。本論文從體製結構、關目情節、思想精神、藝術特色等方面去分 析比較二劇的差異，論述相如文君雜劇在明初的不同創作風貌。 關鍵詞：司馬相如、卓文君、朱權、題橋記 投稿日期：2015/03/20 ；接受日期：2015/06/18 1 國立高雄師範大學國文學系副教授 2 高雄師大學報 第三十八期 Comparison between “Inscription Over Bridge” and “Eloping with Xiang-Ru” －the Stories of Xiang-Ru and Wen-Jun in Poetic Musical Dramas at the Beginning of Ming Dynasty * Chen-yin Chen Abstract Since Han Dynasty, the love stories of Sima, Xiang-Ru (179 B.C.-118 B.C.) and Zhuo, Wen-Jun have been widely read from generation to generation. Their stories could be found in the poems of Tang Dynasty, the Song Ci Poems, novels as well as Xiqu (the traditional Chinese Opera). The two oldest Xiang-Ru and Wen-Jun traditional Chinese poetic musical dramas that we know today are the “Sima, Xiang-Ru’s Inscription over Bridge” writtren by an anonymou author and Zhu, Quan’s “Zhou, Wen-Jun’s Eloping with Xiang-Ru.” These two operas are both categorized as poetic musical dramas (Zaju) of the early Ming Dynasty; however, they had completely different drama features. “Sima, Xiang-Ru’s Inscription over Bridge” was a work of an court artist; therefore, its plot is full of fancy scenes and a lot of characters, with a strong sense of e