唐代妇女妆饰考（李少萍）.pdfVIP

中國文化大學史學研究所 碩 士 論 文 唐代婦女妝飾考 指導教授：王 吉 林 博士 研 究 生：李 少 萍 撰 中華民國九十二年十二月 摘 要 唐代承續六朝餘緒，一方面受到西域胡風影響，另一方面又持開放態度刻意 求新求變，使得其文化在中國歷史上達到空前未有的高峰；反應在婦女的生活上， 唐代婦女妝飾之奇之豔，已達亙古曠今無出其右的境界。 相對於婦女服飾，自古以來唐代婦女頭面妝飾的研究可說少之又少，近人雖有 些學者陸續發表相關論文，也有考古史料陸續出土，但卻少有統攬全局之作。又， 今日電腦科技突飛猛進，屬於形色問題的婦女妝飾如能善用現代影像工具，應可 作更有系統地探討。 本文分別針對髮式、面飾與面妝作廣泛搜集與系統分類，而對其中部分提出個 人見解，其他部分則並列其不同說法，以供有興趣的同好進一步研究。方法上則 是以前人研究成果為基礎，加上新出土的考古資料，進一步利用文獻、詩詞、傳 世繪畫等，綜合探討、並排比對，務求獲得最佳之成果。 關鍵字：唐代、婦女、妝飾、髮髻、面妝 i WOMEN’S FASION IN THE TANG-DYNASTY Abstract The Tang Dynasty inherited the prosperity of the Six Dynasties. Its society was affected by contact with the West. In addition it opened itself to new differences. The Tang Dynasty became the peak of Chinese culture. Its culture then reaches to its peak in the history of China. This diversity reflected on the lives of its women. Thus, women’s fashion in the Tang Dynasty was fascinating and splendid in a way like never before. Contrasting to women’s clothing, the studies of Tang-women’s makeup and hair fashion was very little. Although few academics studies have been published and archeological findings have been discovered, there are few complete and thorough works. Today’s technology has reached to a high level. Modern technology and imaging tools can help the studies and analysis of women’s fashion to be more systemized. This article concentrates on hair fashion, facial decoration and makeup. It collects these fashions broadly and classifies them systematically. There are personal observations in some parts, and people’s opinions in other parts. I hope this article can be interesting and