中国古典园林与山水画的造境艺术——以苏州园林为例.pdfVIP

摘要 中国绘画发展历史悠久，其中最具代表性的形式是山水画的造境艺术，山水画的绘画 形式、审美观念为中国古典园林的营造提供了重要的依据，在有限的园林空间内创造了无 限的意境美。 论文首先简要的论述了山水画造境艺术的形成与发展，第二部分论述了传统的哲学思 想儒、道、释分别对山水画造境艺术与园林的影响，其中以儒家的“入世”作为主流意识 形态，又兼及道家、佛家思想，共同组成了一个复杂开放的互补系统。儒道佛等诸家对山 水画的影响分别表现在不同的范畴并带来了相对应的绘画形式和绘画技法的变化。本文着 重论述了中国山水画的造境与园林创作的艺术表现方法，山水画独特的构图的形式原则、 独特的语言形式以及山水画审美原则意境、气韵、格调对古典园林空间营造的影响，山水 画和园林艺术紧密相关，虽然两者表现的方法不同，空间形式各异，但它们都源于大自然， 追求一种自然的生活。文章最后论述了现代山水画的造境艺术和园林设计对传统艺术的继 承与创新，研究两种艺术的融合，希望能在继承中不断发展，结合环境的要求，符合现代 功能与审美要求的富有时代气息的山水画和新园林，从而真正达到人与自然的和谐。 关键词：山水画 造境 中国古典园林 I 万方数据 ABSTRACT The development of Chinese painting has a long history and one of the most representative is a landscape painting, in the form of environmental art, landscape painting form, the aesthetic idea of Chinese classical garden building provides an important basis, within the limited garden space created the infinite beauty of artistic conception. Paper first briefly discusses the formation and development of landscape painting natura l art, in the second part discusses the traditional philosophy of Confucianism, Taoism and Buddhism respectively to landscape painting made the influence of environment art and landscape, among them with the mainstream ideology of Confucian WTO , again with Taoism and Buddhism thought is complementary, complementary form a complex open system. The influence of the home, such as the integration of Confucianism and Buddhism on landscape paintings in different categories and gives the corresponding form of pa inting and painting techniques. The article mainly discusses the built environment and landscape creation of Chinese