济慈诗歌唯美意境的营造手法(The construction of aesthetic artistic conception in Keatss Poetry).docVIP

济慈诗歌唯美意境的营造手法(The construction of aesthetic artistic conception in Keatss Poetry).doc

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济慈诗歌唯美意境的营造手法(The construction of aesthetic artistic conception in Keatss Poetry)

济慈诗歌唯美意境的营造手法(The construction of aesthetic artistic conception in Keatss Poetry) The construction of aesthetic artistic conception in Keatss Poetry The notable feature of Keatss poetry is its ethereal and picturesque artistic conception. This article is from the five aspects of pronunciation, writing, vocabulary, grammar and semantics of Keatss song Ode to a Nightingale language analysis a reading of the poem on the theme language features of the poem, artistic conception of the role played by. I. Introduction Keats is an outstanding representative of the British Romantic poet, his poetry known especially for the beauty of tone and diction, others say, the most moving, the most out of the ordinary artistic charm lies in that sense of perceptual beauty can be touched, true to life, he created a magical psychedelic mood dazzling, linger 2. Keats himself thought, for a great poet, the feeling of beauty overwhelms all other considerations, or, in a further way, cancels all considerations. So, what concrete method does Keats use to create a beautiful artistic conception? This paper selects one of Keatss famous six odes, Ode to the Nightingale, for a word by word analysis. This poem with incomparable sound and text intertwined build into a distant mood, thousands of images of imagination, let the reader with the poet creativeness excellence, not consciously to create the aesthetic world of the poet. This paper explores the poets original creative techniques from five levels of pronunciation, writing, vocabulary, grammar and semantics. Two. Analysis of works A total of eight verses of the poem, the neat form, from the specification of the ode body - Horace (Horatian ODEs), a body to change and economic ci. Each stanza are divided into two groups: a group of four, together with a group of six lines, two groups after a group of coherence, or the former group explained, or extended before a group, or by Lenovo and lines of the former group, two groups of meaning fit, form an

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