一家人中的多元文化冲突——评电影《喜宴》(One family in the Multicultural Conflict -- on the movie the wedding banquet).docVIP

一家人中的多元文化冲突——评电影《喜宴》(One family in the Multicultural Conflict -- on the movie the wedding banquet).doc

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一家人中的多元文化冲突——评电影《喜宴》(One family in the Multicultural Conflict -- on the movie the wedding banquet)

一家人中的多元文化冲突——评电影《喜宴》(One family in the Multicultural Conflict -- on the movie the wedding banquet) Wedding banquet The appreciation of [] The wedding banquet is Ang Lees masterpiece, is also one of his most important works. This film is a gay motif of multi-cultural coexistence and the resulting conflict. Wei Tong and Simon is a gay couple, on their way of life can accept will reflect two cultural values differences. Through the film, we see the traditional generation, both East and West, are very difficult to accept homosexuality. Wei Tongs parents do not have to say, Wei with the neighbors as Westerners, when they heard the Wei Tong and Simon friends call two rabbit, also looked at the kind of doubt and alert their eyes. On the contrary, the younger generation, both become Wei with his wife Gu Weiwei or with their parents to Wei Wei with the object, but to accept this way of life, which shows two generations of different value orientation. Even if the same is gay, Wei Tong and Simon to treat this problem is not the same. Wei with far more reserved game portal, the two reason lies in the cultural background of the people be quite different behind them, which is the difference between eastern and Western cultures. Wei Tong has been shouldering the Pope received family mission, undertakes the dual role of son and father, and behind him there had been a shadow enveloped him, that is the father. We see the beginning of the film with Wei always receive parents call from Taipei, but the core is marriage, and there was a word or two about the father; when they want to learn with Wei, the home of all in accordance with the fathers preference for re layout; when expressed his relationship with Simon had had her father...... In Chinese culture, the father of the shadow is actually the patriarchal shadow, is the epitome of patriarchal culture. However, there is no such cultural background simon. As a contemporary Westerners, he is more free, all his works are his nature as fo

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