论塞缪尔[][]巴伯作品中多元化音乐风格.docVIP

论塞缪尔·巴伯作品中的多元化音乐风格 ——以《纪念册》OP.28为例 On the diversity of music styles in the works of Samuel Barber—— Yearbook OP.28, as an example 摘 要 二十世纪，美国音乐界最具影响力的作曲家之一——塞缪尔·巴伯（Ssmuel Barber,1910-1981），其透着浓郁的浪漫主义气息，带有强烈抒情色彩的戏剧性音乐受到无数听众追捧。巴伯在美国是继科普兰与格什温之后作品演出场次最多的音乐家，被世人推崇为传统浪漫派的代表人物之一。但是，此种惯性的分类法，对巴伯而言并不贴切。巴伯与同时期的“浪漫派”作曲家们相比，创作手法更显大胆、激进。其坚持传统调性、曲风的同时，将二十世纪大量的主流创作手段完美的融入进自已的音乐中，形成自已独特的创作风格。 《纪念小品》Op.28，为塞缪尔·巴伯创作于1952年的标题类舞蹈音乐。此时期正处于巴伯创作技法运用的成熟期，对了解巴伯的音乐创作技巧及其创作理念极具代表性。本课题对其作品的研究，分为三章。第一章，主要论述巴伯整个的创作风格及其所处的时代背景。第二章，对其多元化音乐风格的体现上展开分析。具体由组曲内的六首舞曲《waltz》、《schottische》、《pas de deux》、《two-step》《hesitation-tango》、《galop》的曲风、舞蹈性、调性、曲式分析等逐一剖析。巴伯灵活变通地选取强烈曲式结构与古典传统曲式相结合，娴熟精准的驾驭着各种经典舞曲的结构，无论其高雅或是通俗，巴伯将各个时代大舞厅音乐灵魂糅捏得恰到好处。唯有在“调性”上，巴伯在布局上未突破后浪漫主义时期的调性范畴。巴伯《纪念小品》，是古典主义、浪漫主义与现代和声汇完美的糅合的作品。 关键词：塞谬尔·巴伯；多元化音乐风格；《纪念小品》OP.28 Abstract The twentieth century, one of the most influential composer of American music - Samuel Barber (Ssmuel Barber,,1910-1981), reveals a rich Romantic atmosphere with a strong lyrical dramatic music sought after by countless listeners. Barber is following the Copland and Gershwin works performances most musicians in the United States, the world respected as one of the representative figure of traditional romantic. However, the classification of such inertia, not appropriate in terms of the Barber. Barber, compared with the same period, Romantic composers, creative approach is more bold and radical. Adhere to traditional tonality, the genre of the same time, the twentieth century, a lot of mainstream creative means perfect integration into their own music, forming their own unique creative style. Memorial sketch Op.28 Samuel Barber was created in 1952 the title of class dance music. This period is in the Barber, the use of creative techniques mature, highly representative understanding of Barbers music writing skills and creative ideas. The subject of their works, divided into three chapters. The first chapter discusses the entire Barber Style and the background. Th