陈可辛电影分析word论文.docxVIP

摘要在众多中国导演中，陈可辛不是资历最高的电影大师，也非小成本独立电影的代表人物，但他却称得上另辟蹊径的鬼才导演，从香港电影人到亚洲电影人再到大中华电影人，他不仅深谙生存的变通之道，而且将电影的艺术情怀与商业属性糅合得天衣无缝。既做到了蕴含人文精神，保持对艺术的个性追求，同时也取得了一定的票房成绩，实现商业上的成功，做到曲高不和寡，不得不说陈可辛是近年来国内顶级水准的电影导演。本文在全面梳理陈可辛导演的电影历程以及他两个重大创作阶段的基础上，归纳出了他在电影文本中隐含的现实话题性，从中反映陈可辛导演的现实创作态度和情感立场，窥探出他个人对世界的一种怀疑主义色彩和悲观主义情绪。此外，通过具体实例，总结出陈可辛在故事叙事上的创新之处，即叙事视点的独特性、类型的杂糅性以及对叙事结构的颠覆与重构。最后，从宏观上将陈可辛置身于文化语境的背景下，阐述其作品里体现的大众文化特征和精英文化特征，尤其是陈可辛自我的精英意识的追求，这种主观能动性对于当下中国电影具有一定的价值与意义。关键词：陈可辛、电影历程、现实话题、叙事策略、精英意识AbstractAmongtheChinadirectors,PeterChandoesnotenjoythebestcredentials, norishetherepresentativeoflowbudgetindependentfilms,yethecanbecalledasthenewgeniusdirector.SwitchinghisidentitiesfromaHongkong directortoanAsianfilmmakertoaChineseone,hebecamewellversedintheflexiblewaysoflife,whileblendingthefeelingsofartandcommercevaluesseamlessly.Thisensurestheartisticpursuitoftheindividual,andsecureshighboxofficevalue.Fromthisperspective,onehastoadmitthatPeterChanisoneofthetopChinesefilmdirectorsinrecent years.This paperprovides a comprehensivereviewofPeter Chan’s filmingcourseand histwomajorcreationphases,and illustratestherealistictopicheimpliedinthefilmtext,reflectinghisrealisticattitude,emotionalstandpoint,skepticismand pessimism. Inaddition,throughtheconcreteexamples, thepapersumma rizesChan’sinnovationinnarration,namelythenarrativepointofview,theuniquetype of hybridityandstructureof subversionand reconstruction.Finally, in themacroscopicviewofculturalcontext,itconcludesthatChan’sworksreflect the featuresofpopular cultureand eliteculturecharacteristics, especiallyPeterChansselfawarenessofelite pursuit, whoseenlightenment functioncannotbe ignoredinthedevelopmentofChinesefilmindustry.Keywords：PeterChan；filmcourse；realistictopic；narrativestrategy；essential consciousness目录引言................................................................................................................................................. 1第1章艺术人格：陈可辛与他的电影创作历程...........................................................................21