试探当代中国文学中的同性恋叙事_论文.docxVIP

试探当代中国文学中的同性恋叙事 中文摘要 身份政治是近年来理论界讨论的一个重要问题。性别身份在近年来发生了重要变化，并在当代中国文学中有一定的表现，理应引起我们注意。本文借鉴西方的性/性别理论，分析自1980年代以来某些文学文本中出现的同性恋叙事，阐明怪异身影在文本中现身的意义。 全文分三章。 第一章，分析1980年代张洁的《方舟》和王安忆的《弟兄们》。这两部作品中的女性具有与以前女性性别不同的一些特征。她们反抗男权中心的行为中包含着一种同性恋因子，开始了自身性别身份的建构。然而，她们最终都被迫回到异性恋社会的壁橱，把自己的性别身份隐蔽起来。这两个文本呈现了同性恋叙事的基本模式：现身——隐蔽模式。 第二章，分析同性恋叙事中出现的性别身份特征。性别身份开始流动和不固定，这些怪异的人物面对异性恋社会进行身份表演。这种流动性和表演性，是由异性恋社会的强大压力造成的。 第三章，分析同性恋叙事中性异端者的规避与逃离行为。面对异性恋社会的压力，早期同性恋叙事中的性异端者要么规避同性伴侣，成为性正常者；要么逃离异性恋社会。在年轻一代作家的笔下，异性恋社会的压力已被解除，性世界的多样化得到了充分的表现，性别身份获得了多样发展的可能，这就使我们看到了解构异性恋霸权的希望。 关键词：同性恋　性别　身份　现身　性别表演 Abstract A　Study on Homosexual Narration in Chinese Contemporary Literature by 　Xianfeng,　He Body politics is an important discuss in the recent literature theory field, in fact, gender has changed a lot in recent years, and these changes get their performance in Chinese Contemporary Literature .The thesis , using west sexual theories for references,　analyses the homosexual narration in some texts from 1980s, and narrates the meaning of this narration. The whole thesis consists of three chapters: The first chapter analyses some “queer” females. There are some characteristics in their bodies ,which makes the important sex differentiations from the former　female sex. They resists the male power center , and the homosexual factors emerge in their resistance activities ,at the same time , they begin to construct their gender identity. However , they are forced to walk back to heterosexual closet and conceal their real gender, thus ,these texts develops a mode: emergence ——concealment mode, and this mode exists in the whole homosexual narration till the end of the　last century. The second chapter narrates the characteristics of the gender identity in the homosexual narration: gender identity begins to flow . Faced to the heterosexual society , the “queer” persons in the texts proceed to perform their gender identities, and this performance is because of the strong pressure from the heterosexual society. Th