文体学导论3 Style Markers in Phonology and Graphology.ppt

A Framework of Analysis of Style (2);2. Potential Style Markers in Phonology and Graphology;sound symbolism;; (b) Onomatopoeia—sounds are imitative of their sense. Onomatopoeia is actually the mutual reinforcement of sense by sound and sound by sense. Onomatopoeic words are used to produce sound images and thus vivid effect. Examples: The actor was hissed off the stage. The clock ticked away the minutes. She clapped the book shut. The door banged open. The sausages sizzled in a pan on the stove. The cow mooed. ;;2.1.2 Elision and Assimilation usually acceptable in ordinary conversational speech, esp. in rapid speech, thus often become markers of a very informal or very casual style. (examples see p.25) 2.1.3 sound patterning 2.2.1 sound patterning of monosyllabic words (p.26): alliteration(头韵), assonance（腹韵）, consonance（辅韵）, reverse rhyme（倒韵）, pararhyme（头尾韵，假韵）, rhyme（韵，押韵） 2.2.2 sound patterning of words of more than one syllable (pp.27-29) Question: what are the effects and use of sound patterning?;;ˇ|‐ ˇ | ‐ ˇ | ‐ ˇ | ‐ ˇ| In Scotland, Wales and Northern England, ‐ ˇ | ‐ ˇ| ‐ ˇ| snow will fall on high ground. Three types of rhythm: A type that requires all or most of the content words are fully stressed and is pronounced in a rather leisurely and deliberate way: I ′helped ′ drivers to ′ start their ′ car after it had ′ stopped ′ dead. ;;2.2 Potential style markers in graphology various aspects of design in graphology are sources which can be used for communicative purposes. The written form of a language is, to some degree, a visual coding of its spoken version. (pp.29-37) punctuation, capitalization, italics, spelling, paragraphing, and the layout of a text More examples: ;The written form of a language is, to some degree, a visual coding of its spoken version. In this sense, the graphological devices are notations of intonation, accent, stress, the loudness or softness of the voice (“the sco