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The Epiphany Of Death
Clark Ashton Smith
I find it peculiarly difficult to express the exact nature of the sentiment which Tomeron had always evoked in me. However, I am sure that the feeling never partook, at any time, of what is ordinarily known as friendship. It was a compound of unusual esthetic and intellectual elements, and was somehow closely allied in my thoughts with the same fascination that has drawn me ever since childhood toward all things that are remote in space and time, or which have about them the irresolvable twilight of antiquity. Somehow, Tomeron seemed never to belong to the present; but one could readily have imagined him as living in some bygone age. About him, there was nothing whatever of the lineaments of our own period; and he even went so far as to affect in his costume an approximation to the garments worn several centuries ago. His complexion was extremely pale and cadaverous, and he stooped heavily from poring over ancient tomes and no less ancient maps. He moved always with the slow, meditative pace of one who dwells among far-off memories and reveries; and he spoke often of people and events and ideas that have long since been forgotten. For the most part, he was apparently unheedful of present things, and I felt that for him the huge city of Ptolemides, in which we both dwelt, with all its manifold clamor and tumult, was little more than a labyrinth of painted vapors. There was a like vagueness in the attitude of others toward Tomeron; and though he had always been accepted without question as a representative of the noble and otherwise extinct family from whom he claimed descent, nothing appeared to be known about his actual birth and antecedents. With two servants, who were both deaf-mutes, who were very old and who likewise wore the raiment of a former age, he lived in the semi-ruinous mansion of his ancestors, where it was said, none of the family had dwelt for many generations. There he pursued the occult and recondite studies
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