影视录音常用设备备课讲稿.ppt

Ambient QP 480 Standard boompole Length 105-350cm Wired or unwired Mono/stereo line for wired pole Ambient QP 4140 Standard boompole Length 154-540cm Wired or unwired Ambient QX 580 For ENG and video market 5 sections Length 80-330cm VDB Medium 60cm-275cm Extra large 110-560cm PSC elite medium 5-section carbon filter Length 66cm-251cm Microphone Accessories Wind restraining Foam windshield Zeppelin windshield Windjammer Suspension Rycote full windshield kits Foam Wildshield Suspension Windjammer Package case Mixers Sound Devices Audio Ltd Sonosax How to choose field mixers? Portable (small, light, powered by AA or DC) Mic/line input channels Phantom/T powering supply Meter monitor (peak and VU) Simple EQ and filters OSC(1kHz at least) Output (mono/stereo/multi) Monitor signal selectable Cue Talkback Sound Devices 442 Portable mixer for production, ENG and film 4 transformer-balanced mic/line level input on XLR connectors 2 transformer-balanced line/tape/mic level output on XLR connectors Continuously adjustable input trim Variable high pass filter Continuously variable pan control Phantom or “T” mic powering per channel Solo (PFL) monitoring in headphones On-board MS stereo matrix Peak limiters per channel Sanken CSS-5 First stereo shotgun 3 mode switchable MONO (shotgun) Normal STEREO (1200) Wide STEREO (1400) Superb rear rejection at 180 degrees even in low frequencies MONO-STEREO compatibility. Mono and phantom center have the same sound characteristics Sanken CSS-5 MONO modesharp directivity is maintained over a wide frequency range for the aimed frontal sound sources, using the combination of a second gradient microphone and a line microphone. It is significant that the CSS-5 picks up the chosen sound source very clearly even in a noisy ambient situation or in a long reverberation space. Normal modepicks up the targeted sound as well as extremely accurate stereo localization. STEREO angle is 120°. Wide modedesigned for stereo recording of sound