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艺术家身就是背离现实的
人,通过艺术创作的途径
艺术家实际上就成为自己渴
望的英雄、帝王、创造者和
受人钟爱的人物,再也不用
走实际改变世界的迁回小路
弗洛
The tension between the comic and horrible
is the cental to Conrad s novel
鱼r△
道盒
1899. NTO. LOOO. CV
DECA夏
DJB重
细思
极恐
Heart of darkness
the wilderness had patted him on the head, and, behold, it was
like a ball-an ivory ball; it had caressed him, and-lo! -he had
withered; it had taken him, loved him, embraced him, got into his
veins. consumed his flesh and sealed his soul to its own by the
inconceivable ceremonies of some devilish initiation He was its
spoiled and pampered favourite. (Page50)
ph Conrad
这片荒原曾轻轻拍打过他的头,看吧,他的头就像一个
球
个象牙球。这片荒原曾爱抚过他,于是,他枯萎
了;荒原俘虏了他,爱上了他,拥抱了他,进入了他的血
脉,耗尽了了他的肉体,还以某种不可思议的魔鬼人盟仪
式,使他的灵魂与荒原融为一体。荒原宠着他,纵着他。
Page 3
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Plot Review
describing the setting
an anonymous i begins
the narration
ntroducing the
characters
reminding the reader of his
Marlows narration
his experience woking as a captain for an ivory trading company
outer station
ountant: striked by a scene of
cental station
FH manager+brickmaker: find Kurtz is far from
admired, but more or less resented
inner station
Russian harlequin+Kurtz
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Literature review
GohnG Peters The Cambridge Introduction to
Joseph Conrad
1920s-1930s Biographical Criticism
1940s-1960s psychoanalysis
1980s-1990s post-structuralism post
colonism+feminist criticism
王松林《康拉德小说伦理观研究》
精神分析+原型批评+巴赫金理论+解构主义
女性主义十马克思主义十叙事学批评+后殖
民主义十新历史批评整理为九大流派分析
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