《松山战役——攻占子高地》国画创作综述.docVIP

《松山战役——攻占子高地》国画创作综述 　　摘 　　要 　　本文所论述之写实水墨人物画特指写实水墨人物画中重大历史性绘画，非宏观上的绘画。 　　 写实水墨人物画在当代有其重要意义与价值，然而作为年轻的艺术形式，又有待传承与发扬。如何从新从传统出发，摒弃生涩不和谐的成分，推动其在当下艺术大氛围里面健康的发展，是这一辈水墨人物画家的使命。鉴于《松山战役》写实水墨人物画的历史功绩和当下对其不理性的认识之矛盾，调节之难度迫使艺术家费脑子费精力，在为新一代艺术家提出挑战的同时也为其提供了难得的机遇。文章立足于对《松山战役》写实水墨人物画历史成就、面临的问题以及该如何传承与发展做出简短的分析，看法也许漏洞百出却是真实的切身的感受与认识，希望借此引入更深层次的思考。 　　 关键词：松山战役；国画；创作 　　ABSTRACT 　　The realistic painting of ink and ink in this paper refers to the important historical painting in the painting of the realistic painting of ink and ink, and the non macro painting. 　　The realistic painting of ink and wash has its important significance and value in the contemporary era. However, as a young art form, it needs to be inherited and developed. How to start a new starting from the tradition, abandon the jerky elements of discord, promote its current artistic atmosphere inside the healthy development, this is a generation of ink figure painter mission. In view of the contradiction between the historical achievements and the irrational understanding of the ink and mountain figure painting, the difficulty of adjustment forced artists to pay attention to their energy and challenge, and also provided a rare opportunity for the new generation of artists. This article is based on “face Songshan battle“ ink painting of historical achievements, problems and how to make a brief analysis of the inheritance and development of ideas, perhaps it is true Its loopholes appeared one after another. personal experience and understanding, hoping to introduce the deep 　　er thinking. 　　Keywords: Songshan campaign; Chinese painting; creation 　　 目 　　录 　　一、 导言 1 　　二、松山战役之回忆 1 　　（一）松山战役概况 1 　　（二） 松山战役经过 1 　　（三） 松山战役评价 2 　　三、人物画《松山战役——攻占子高地》创作的历史渊源 3 　　（一）水墨人物画的发展概况 3 　　1古代人物画发展脉络 3 　　2现代人物画发展脉络 3 　　3人物画技法分析 4 　　（二）松山战役历史背景 5 　　1国际背景 5 　　2中国现状 6 　　3社会背景 6 　　四、人物画《松山战役——攻占子高地》主题创作过程 7 　　（一）搜集资料及确定主题 7 　　（二） 创作主题思路 7 　　（三） 创作构图 8 　　五、人物画《松山战役——攻占子高地》主题创作技法 8 　　（一） 《松山战役——攻占子高地》国画创作综述人物特点 8 　　（二）人物画形神问题 8 　　1传神写照 8 　　2气韵生动 9 　　（