英文电影剧本_BIRDMAN 鸟人_影视编剧艺术.pdf

F O R Y O U R C O N S I D E R A T I O N BEST ORIGINAL SCREENPLAY Written by Alejandro G. Iñárritu Nicolás Giacobone Alexander Dinelaris, Jr. Armando Bo BEST ORIGINAL SCREENPLAY Written by Alejandro G. Iñárritu Nicolás Giacobone Alexander Dinelaris, Jr. Armando Bo © 2013 DINOSAUR OUT, INC. ALL RIGHTS RESERVED. NO PORTION OF THIS SCRIPT MAY BE PERFORMED, PUBLISHED, REPRODUCED, SOLD OR DISTRIBUTED BY ANY MEANS, OR QUOTED OR PUBLISHED IN ANY MEDIUM, INCLUDING ANY WEB SITE, WITHOUT THE PRIOR WRITTEN CONSENT OF DINOSAUR OUT, INC. DISPOSAL OF THIS SCRIPT COPY DOES NOT ALTER ANY OF THE RESTRICTIONS SET FORTH ABOVE. 1 BLACK 1 We hear a clock ticking. FADE IN: 1 INT. RIGGANS DRESSING ROOM - THEATER - DAY 1 Close on the brilliant colors of a middle eastern rug, the center of what seems to be a makeshift “meditation” space. We slowly tilt up to discover the back of Riggan Thomson (55). He is in the proper ‘Lotus’ position, dressed only in tight white briefs and he appears to be meditating deeply. And if all this seems a little odd, it becomes all the more so when you notice that he is levitating almost two feet above the floor. His breath is calm and measured... in and out... in and out. MAN (V.O.) How did we end up here? (Beat.) This plac