山西朔州秧歌戏的民俗意蕴研究.pdfVIP

英文摘要 摘 要 朔州秧歌戏是流传在晋北地区的一种古老剧种，在长期的流传与演变过程中形成了自己完整 独特的艺术形式，成为晋北地区百姓喜闻乐见的地方传统剧种。作为一种古老的艺术表演形式， 朔州秧歌戏对民众的日常生活影响很大。作为对这一地方传统戏剧的个案研究，本文并不是从戏 剧艺术专业的层面对朔州秧歌戏进行研究，而是通过分析它的民俗意蕴来揭示它与当地民众生活 的密切联系。 绪论部分包括本文选题的目的意义、研究综述、以及研究方法与资料来源。 主体部分共分三章：第一章，主要是对朔州秧歌戏历史演变进行描述，主要包括朔州秧歌戏 的生成环境、历史源流以及它的发展演变。第二章，在田野调查的基础上，对朔州秧歌戏的戏班 情况进行研究，涉及戏班概况以及戏班习俗（信仰习俗、演出习俗及表演习俗）、艺人传承情况。 第三章，结合朔州秧歌戏演出的仪式场合来分析它与当地民众生活之间的密切关系。 结语部分是对全文的总结，通过前面三章的分析，说明朔州秧歌戏是当地民众重建自我精神 家园的一个重要标志。 朔州秧歌戏 戏班 习俗 民众生活 【关 键 词】 【 论文类型】基础研究 山西师范大学学位论文 Abstract Yang’ge Drama of Shuozhou is a kind of ancient operas which spreads in the north of Shanxi province. It formed its own unique artistic from in the long-term process of the spread and evolution. It became local traditional dramas which people like very much in the northern of Shanxi. As an ancient form of art performance which has a great influence on people’s daily life. As a case study for the local traditional operas, the article is not exploring from drama professional level, but through the analysis of its folk custom meanings. Then the relationship with local people life has appeared. The introduction part includes the purpose, significance, research, review and the data sources and methods. The main body is divided into three chapters: the first chapter mainly describes the historical evolution of Yang’ge Drama in Shouzhou, which includes the generate environment, historical roots and evolution. The second chapter explores its troupe, which includes the development and customs of troupe, (the belief customs, performance customs) and artist inheritance situation on 英文摘要 the basi