浅论孙悟空的艺术形象--毕业论文.doc

浅论孙悟空的艺术形象

目录

摘要···········································2

Abstract··········································3

前言···········································4

一．孙悟空艺术形象分析····························5

（一）来历不凡，天性烂漫··································5

（二）反抗神权，追求自由··································6

（三)不畏艰险，勇于斗争···································7

二．孙悟空艺术形象的意义····························8

（一）社会现实意义·······································8

（二）美学意义···········································9

三．孙悟空形象的悲剧性·····························10

(一）被压五行山下的悲剧·································10

(二）被迫取经的悲剧····································11

（三)被封斗战胜佛的悲剧··································12

结语·············································13

参考文献·········································14

致谢词··············································15

摘要

《西游记》名列中国四大名著，无疑是中华民族文学史最伟大的作品之一，它向人么展示了一个徇丽多彩的神魔世界，人们无不在作者丰富而大胆的艺术想象面前惊叹不已。通过《西游记》中虚幻的神魔世界，我们处处可以看到作者对现实社会的深刻揭露和批判。而所悟空无疑是《西游记》中第一主人公，是一个真正的英雄。他有不凡的出身，天不怕地不怕，敢于追求自己想要的自由，他有着大英雄的不凡气度，也有爱听恭维话的缺点。他机智勇敢又诙谐好闹。而他最大的特点就是敢斗。与至高的玉帝敢斗，愣是叫响了“齐天大圣”的美名；与妖魔鬼怪敢斗，金箍棒下决不对妖魔留情；与一切困难敢斗，决不低头。但也正是因为悟空的敢斗和桀骜不驯的性格导致了他的悲剧性。

关键词：孙悟空艺术形象悲剧性

Abstract

AmongChinasfourgreatclassics\journeytothewest\,isoneofthegreatestworksofliteraryhistoryoftheChinesenation,itshowspeoplethatacceptethabeautifulandcolorfulsupernatural-evilspiritworld,peopleinfrontoftheauthorsrichandboldartisticimagination.Throughthe\journeytothewest\unrealandghostintheworld,everywherewecanseetheauthorofprofoundexposeandcriticizesocialreality.AndtheMonkeyKingisthefirstcharacterinthestoryofjourneytothewest,isatruehero.Hehasextraordinaryorigins,daringnotafraid,daretopursuewhatyouwantfreedom,hehasabigheroofextraordinarybearing,alsohasthedefectsoftohearcompliments.Hiswitandbravegoodhumor.Andhisbiggestcharacteristicistodaretofight.Andda