拍摄的简单说明stereo_3d_shooting_guide.pdfVIP

3D-Shooting Guide st 1 step: adjusting the far parallax parallel cameras: convergent cameras: shIftIng to push the background back angulatIng to push the background back a) I make my cameras parallel a) I choose my far parallax - I will only get negative parallaxes when I shoot b) I choose my post-production shift b) I look at my background on - I use it to set my stereo compositing my stereo compositing monitor monitor and preview my final image c) I write down in the continuity report c) I angulate my camera(s) until my or on the slate this post-prod shift to background is at my far parallax push back the background Note: At this point, it is safer to start with a low - If my background is very far, my interaxial and increase it in the 2nd step. post-prod shift is the far parallax That’s because decreasing it might push my background farther than the far parallax, creating - If my background is closer, it will divergence. Cf Chapter III-C5 be closer than the screen plane; so I need to push it back more by choosing a bigger post-prod shift For an interactive, in-depth stereo 3D training package, buy Stereo 3D Filmmaking: The Complete Interactive Course -- (US Canada) /// (Europe). © 2010 Innoventive Software, LLC Parallell Cinéma. 3D-Shoot