道教曲牌音乐发展研究.pdfVIP

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2017-09-16 发布于安徽
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道教曲牌音乐发展研究.pdf

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目录 1. 绪论 ····························································································· 1 1.1 研究范围界定 ··········································································· 1 1.2 文献综述 ················································································· 1 1.3 选题意义及研究思路 ·································································· 5 1.3.1 选题意义 ··········································································· 5 1.3.2 研究思路 ··········································································· 6 1.4 本文的创新与不足 ····································································· 6 2. 先唐时期道教音乐的兴起 ·································································· 7 2.1 先唐道教的发展概况 ·································································· 7 2.2 道教音乐的出现 ········································································ 8 3. 唐代道教曲牌音乐的兴盛 ································································ 10 3.1 唐代道教曲牌音乐的概况 ·························································· 10 3.1.1 唐代道教曲牌音乐的产生背景 ··············································· 10 3.1.2 唐代道教曲牌音乐的初兴 ····················································· 11 3.2 唐代道教曲牌音乐的特点 ·························································· 16 3.2.1 宫调与道教曲牌音乐 ··························································· 16 3.2.2 唐代道教曲牌音乐的形态分析 ··············································· 17 4. 宋金道教曲牌音乐的发展 ································································ 23 4.1 宋代道教曲牌音乐的勃兴 ·························································· 23 4.1.1 宋代道教曲牌音乐的生存环境 ··············································· 23 4.1.2 宋代道教曲牌音乐的繁荣 ····················································· 24 4.2 宋代道教曲牌音乐的特点 ·························································· 28 4.2.1 《玉音法事》曲牌音乐的形态特