十八、十九世纪广州十三行和外销画论文.docVIP

南京航空航天大学硕士论文  摘  要  外销画产生并且兴盛于十八  十九世纪的广州十三行地区  它受 到西方艺术审美趣味的影响 由中国画家使用西画的技法和风格 绘 制带有东方风情的图画 绘画内容包罗万象 绘画种类包括玻璃画 油画和水彩画 钱纳利和林呱是最主要的外销画家 对其他画家和整 个外销画市场产生了巨大影响 外销画为西方市场生产制作 大量销 往西方并且受到西方消费者的欢迎 其商品性远远重于艺术性 是由 市场需求决定生产的绘画种类 是真正意义上的商品画 外销画有精 品和行货之分 但是其本质都是商品画 画家和画工都使用复制的方 法来大量绘制图画来满足市场需求 国内对外销画的研究起步较晚 由于正史对其不着一词 国内也 难觅真迹 现有的史料多来自西方研究者的文献著作 已有研究仅限 于外销画的艺术方面 本文旨在弥补此研究领域的空白 使用艺术经 济的研究方法来分析外销画生产和外销画市场的各个方面 以及绘画 与经济赞助的关系 外销画的生产经营模式也影响了传统绘画市场 对后来绘画市场的发展起到积极作用 关键词 外销画 十三行 钱纳利 林呱 艺术经济 外销画生产 外 销画市场 经济赞助 i 十八  十九广州十三行和外销画  ABSTRACTS The export paintings emerged and prospered in Guangzhou ’s Thirteen Hongs in 18-19 century, which is influenced by western aesthetic sentiment and painted by Chinese artiest using the western method and style of painting. Export paintings ’ contents with the eastern taste and interest embraced all cases. Its kind concludes glass paintings, oil paintings and watercolors. Chinnery and LamGua were the most principal painter who had influenced the other painters and the whole market greatly. The export paintings had been produced for and sold to the western market and was very popular with the western consumers. Commodity of export painting is much more than artistry, which is determined by requirement of the market. Export paintings are true commodity paintings which are divided into top-notch artistic works and crudely-made goods, but their intrinsic characteristics are commodity paintings. Painters and workers used duplicating method to paint to meet the demand of market. Domestic researches on the export painting started lately. Because there has no word about it in the authorized history and it ’s difficulty to find a authentic painting inside the country, so much of the history material having on hand comes from western researchers ’ documentations and books. Domestic researches already had are limited within art, and this thesis ’s aim is filling the gap, using the method of art economics to analyse all