地域意义消失过程中的音乐传播研究.pdfVIP

目 录 目 录 中 文 摘 要·······································································································Ⅲ 英 文 摘 要·······································································································Ⅳ 绪论：当代传播与理论研究的拓展············································································1 一、“地域意义消失”时代的到来1 二、“媒介场景”的理论起点与基石2 三、“媒介场景”理论在我国的现实现象态4 四、与本课题相关的概念6 五、本课题的理论意义与研究方法7 第一章 音乐传播媒介与“场景”············································································9 第一节 音乐媒介特征9 一、口语传播媒介9 二、乐谱传播媒介10 三、电子媒介特征 11 第二节 “墙”和“阶”的消失 11 一、“墙”的产生12 二、“阶”的产生13 三、“墙”与“阶”的消失13 第三节 音乐媒介的“场景”营造15 一、场景——音乐媒介分析的新观点15 二、口语媒介和乐谱媒介创造的场景15 三、电子媒介场景的新变化16 第二章 当代音乐传播中的现象 ············································································18 第一节 自由的音乐舞台18 一、自由的网络音乐创作与表演18 二、自由的音乐选择与接受19 三、网络“恶俗”现象················································································································20 第二节 音乐姿态的变化21 一、“居高临下”姿态的下降：21 二、大众对音乐明星的质疑21 第三节 网络爆红的“忐忑”现象22 一、《忐忑》的由来22 二、选择《忐忑》的原因23 三、由《忐忑》发现的问题及反思24 第三章 场景重构下的音乐行为探析 ·········································································26 第一节 音乐“社会场景”重构的表现26 一、公共场景的重构与融合26 二、音乐群体身份的重构和融合27 I 目 录 三、当代音乐传播的“中区融合”28 第二节 音乐场景重构下的行为表征29 一、“看”的重新回归29 二、权威的瓦解31 三、音乐行为神秘感的消失32 第三节 音乐场景重构中的音乐道路34 一、传统音乐受到的冲击34 二、网络音乐的好与坏35 三、吸引眼球的音乐表演36 结语··················································································································38 参考文献·······················