论琵琶非独奏演奏形式发展及其运用.pdfVIP

内容摘要 内容摘要 琵琶自一千多年前传入，逐渐在中国音乐中占有重要的位置。今天，在许 多的艺术形式和种类中，都出现了琵琶的身影。琵琶最初并不是独奏乐器，它 的作用主要体现在为歌舞音乐伴奏上，可以说，在唐朝以前真正意义上的琵琶 独奏曲并不多，大多的琵琶曲都是为合奏及伴奏所创作的。琵琶自传入至今， 历经了数千年的时间，与各朝代当时流行的多种音乐形式产生关联，这种关系 体现在它为当时的各乐种合奏或伴奏中。这种联系直接的刺激与加速了琵琶独 奏的发展及形制的变化。时至今日，依旧如此。因此，鉴于琵琶的各种非独奏 演奏形式涉及范围之广，作用之重要，本文将共分为四个章节对其进行具体的 分析和阐述. 第一章，通过琵琶起源来探究最初非其独奏演奏形式产生的原因与形制的 关系。 第二章，通过阐述琵琶与宫廷音乐﹑歌舞音乐﹑民间音乐的关系来清晰展 现琵琶非独奏形式的历史源流与发展的脉路。 第三章，举例说明琵琶在各种非独奏形式中的运用及风格，以合奏及伴奏 两种形式为主，对其运用的方式及风格特点等进行具体的阐述和分析。 第四章，从对琵琶艺术的影响及对琵琶独奏形式两个方面来说明琵琶非独 奏的意义及作用，对于琵琶艺术的发展和进程有着不可估量的意义和积极的推 动作用。 关键词：琵琶 非独奏 起源 历史 运用 风格特征 影响 I Abstrat Abstract Since it was introduced, Pipa Lute has gradually occupied a very important position in Chinese music after more than a thousand years’ evolution and development. Today, Pipa Lute has secured its position among various art performances. At the very beginning, Pipa Lute was not a solo instrument; actually, it was widely used to accompany the music for singing and dancing. It can be concluded that before the Tang Dynasty, there were not many Pipa Lute soli. Mostly, musical works were created for the ensembles or as the accompaniment. Over a thousand year’s evolution, Pipa Lute have established certain relations with various music arts which prevailed in different dynasties. What’s more, this kind of relations was reflected when Pipa Lute was adopted as the accompaniment or in ensembles. At the same time, this relation directly stimulates and accelerates the solo performance of Pipa Lute and the changes of its form. Until now, the non-solo performance of Pipa Lute still has influence on the solo perfo