从此在到物%3a海德格尔对美学二元对立思维超越.pdfVIP

从此在到物：海德格尔对美学二元对立思维的超越 摘要 要想中国美学研究取得新的重大突破，那首先还是得从学术研究之“根”和“源”上 来考虑，即我们对我们的思维方式上进行重新审视和思考。海德格尔对西方传统哲学发起 了整体性的进攻，他在与传统形而上学的批判性对话中，形成并创立了自己的一套哲学话 语，被一些研究者评价为超越了前人，甚至“超越了欧洲一般哲学传统之外”。在其整个 哲学思想的基础上，海德格尔的美学思想以追问存在和现象学的方法，将独特之思用于阐 释艺术与存在、本源、真理、世界、大地、历史、技术等一系列概念及其关系，开拓了独 到的美学视角，从而实现了对传统美学的超越，对现代美学乃至整个现代西方思想产生了 极其深远的影响。 海氏从人的存在方式“此在”入手试图展现存在,从人的原始境域(此在的“在世界之 中存在”)澄明存在意义的全部努力，处处显露出逼向传统形而上学的批判锋芒，通过对 此在的“在世存在”的详细分析，打破了传统二元对立思维的桎梏。再到后来物之思，其 实是从此在的内涵分析向此在的外延扩展。从对此在的烦、畏、情绪等的展现，向与此在 打交道的真理、大地、技术等周遭靠拢，到最后的“天地神人”物性的完成形态，其目的 只有一个，让终有一死者，终成一物者，诗意地栖居。 关键词：此在 物 美学 二元对立 1 Abstract Chinas literary and aesthetic study to get new breakthrough,Also, the thinking from roots, source.First to academic research of root and origin namely we examine way of thinking for reviewing.Heideggers philosophy of western traditional launched the offense, with the traditional metaphysics in his critical dialogue, and created a philosophical discourse, some researchers evaluation for beyond the previous, even beyond the European general philosophy traditions. In its whole philosophy, on the basis of heideggers thought of aesthetics in the existing questions and phenomenological method used to illustrate the thought of unique art and existence, source, the truth, and the world, the earth, history, technology and so on a series of concepts and their relations, the unique aesthetic perspective, thus achieved the transcendence of traditional aesthetics of modern aesthetics, the whole modern western thoughts produced profound influence. Heidegger from the mode of the existence of human in the starting from the people, to show the original arise in the (the world) in all existing significance to emerge, show into the traditional metaphysics criticism expresses, through the live on t