《20160621_北大耶鲁联合本科项目2016秋课程说明》.pdfVIP

北大‐耶鲁联合本科项目 2012 秋季课程说明  I) Course Title (Chinese): 艺术，媒介和空间  PKU Course Number: Course Tile (English): Art, Media, and Space (Seminar) Class Length (hrs): 2 Course Credits: 3 Meeting Time: Wednesdays: 13:00-14:50 Classroom: Rm.104, Chinese and History Bldg., 文史楼 104 Professor: David Joselit Title: Professor of History of Art Note: 有意选课的同学，第一堂课请务必到场。所有选课学生的最终入选，由任课老师决定。 入选的同学名 单将由教务手动录入系统，根据北大选课规定，学生只能在中期交费退课。 Brief Description This course traces the history of media art from the introduction of inexpensive handheld video cameras into art practice in the late 1960s to impact of digital technologies on very recent art. This history, which includes video, video projection, the appropriation of photography, the rise of the large format art photograph, and digital film and web practices will also include a broad consideration of recent media theory. Course Materials (predicted) Author Title Publisher Year 1. David Joselit, Feedback: Television Against Democracy (MIT Press, 2007) 2. Doug Eklund, The Pictures Generation, 1974-1984 (New York: Metropolitan Museum of Art, 2009) 3. Walter Benjamin, “The Work of art in the Age of Mechanical Reproduction,” in Walter Benjamin, Illuminations: Essays and Reflections , ed. by Hannah Arendt (New York: Schocken Books, 1968 4. Jean and John Comaroff, Ethnicity Inc. (Chicago: University of Chicago Press, 2009) 5. Michael Fried, Why Photography Matters as Art as Never Before (New Haven: Yale University Press, 2008) 6. Stan Douglas and Christopher Eamon, eds, Art of Projection (Ostfildern, Germany: Hatje Cantz Verlag, 2009) 7. Thomas Y. Levin, Ursula Frohne, and Peter Weibel, eds, CTRL(space): Rhetorics of Surveillance from Bentham to Big Brother (Karlsruhe: ZKM Center for Art and Media; Cambridge: MIT Press, 2002) 8. Retort, Afflicted Powers: Capital and Spectacle in a New