清宫廷吉礼用乐分析研究.pdfVIP

RESEARCH ON QING IMPERIAL COURT AUSPICIOUS RITUAL MUSIC Abstract This paper used the Qing Dynasty Imperial court ritual music system as the starting point, focused on the specific contents of the Qing Dynasty Imperial court ritual music, and then explored the characteristics of the Qing Dynasty Imperial court ritual music. Firstly, the exploration of the traditional ritual music explained the profound meaning of both rites and music: the conclusions are as follows “Ritual is a kind of norm”, “Music is the expression of human emotions”. The paper explored from the aesthetic perspective of the ritual music culture construction and the ritual culture found out that the aesthetic perspective of the ritual music culture is due to the pursuit of harmony, but the aesthetic in the ritual music represents harmony between sounds, harmony between men, and harmony between heaven and man. Secondly, it is about the exploration of the Qing Dynasty Imperial court ritual music culture. In the Qing imperial shamanic ritual music the melody of God’s song has the original hearing aesthetic tendencies; its artistic expression methods with God drum rhythm is a way to contribute to the harmony between music and man. And the Shaman divine words and ritual activities are designed to achieve the realm in which God and man can find the perfect harmony in the music atmosphere. On the other hand, in the Qing imperial palace Shao music system and in the context of glorious music and its band practice as well as the inherent meaning, possess the characteristics of the eight sounds harmony internal and external harmony; their a word a sound play, the characteristics of concert under specific ritual context, can fit with man’s psychology; as a result can achieve the harmony between mus