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The Political Economy of Computers
and Composition: Democracy Hope
in the Era of Globalization
M.J. Braun
Ina review of recent critical work in the field of computers and
composition, Ken McAllister writes, By and large, the history of the
incorporation of computers into educational settings has been opposi-
tional, the technophiles and the technophobes exchanging verbal barbs
with too little attention paid to history and economics (192). In academic
journals, the opposition has been too often depicted as conflicting
identities: on one side, the luddites (driven by modernist, humanist, or
Marxist idealism) resist the brave new computerized world; on the other
side, the cyborgs (inspired by theories of differance, language games, and
simulacra) dive head first into the electronic stuff of our postmodern era.
Both depictions are harmfully reductive because they ignore the historical
complexity of each identity. The luddites of the early nineteenth century
were much more than machine-smashers; their war on technology ensued
only after their attempts to intervene democratically in economic and
political agendas were frustrated (see Dinwiddy; Peel; Sale). The cyborg,
as constructed by science-fiction writers and academic critics of scientific
rationalism, experiences its machine/flesh condition through its implica-
tion in a multiplicity of political and economic contradictions (see
Haraway). Luddites were not politically naive after all, and neither are
cyborgs uncritically assimilated into the new economy.
Ahistorical and reductive depictions of luddites and cyborgs in
scholarly literature help to reproduce the verbal barbs that McAllister
cautions us aga
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